The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
It is by no means a wild question whether the credit of even the
first Bible belongs to Gutenberg or to Peter Schœffer; for, after the
dissolution of the partnership between Gutenberg and Fust, the former
produced nothing worthy of note, while Schœffer printed the Bible again,
as well as other works, notably the Psalter, a most wonderful specimen of
ancient typography. Schœffer appears to be as undoubtedly the inventor of
type-founding as Koster was of printing,—Gutenberg was neither, though
we must award him high credit for his skill in availing himself of the
knowledge derived from Koster, and his perseverance through a series of
years. But the almost impenetrable cloud of mystery that surrounds the
discovery of printing should induce a spirit of hesitancy that is not at
all characteristic of Van der Linde and others. Neither ifs, buts, nor
perhapses, nor strained inferences, prove anything except the weakness of
the argument that rests upon them.
We are satisfied that the types used by the first printers were not cast
or founded in a mode at all approximating to the modern method. The
question is, not who was the first type-founder in the modern style, but
who was the first printer with movable types, no matter whether of wood,
pewter, or tin; and we agree with the judicious Isaiah Thomas in the
opinion that Koster was that man.
See _Haarlem the Birthplace of Printing, not Mentz_, by J. H. Hessels,
Cambridge, England, 1887: an emphatic confutation of the Gutenberg legend.
[5] Two copies of Bradford’s Almanac are known to be in existence. We
give the Address of
THE PRINTER TO THE READERS.
Hereby understand that after great charge & Trouble, I have brought that
GREAT ART & MYSTERY OF PRINTING into this part of America; believing
it may be of great service to you in several respects; hoping to find
encouragement, not only in this Almanack, but what else I shall enter
upon for the use & service of the Inhabitants of these Parts. Some
irregularities there be in this Diary, which I desire you to pass by
this year; for being lately come hither, my materials were misplaced &
out of order, whereupon I was forced to use Figures & Letters of various
Sizes: but understanding the want of something of this nature, & being
importuned thereto, I ventured to make public this; desiring you to
accept thereof; & by the next (as I find encouragement) shall endeavour
to have things compleat. And for the ease of Clarks, Scriveniers, &c.,
I propose to print blank Bills, Bonds, Letters of Attorney, Indentures,
Warrants, etc., & what else presents itself, wherein I shall be ready to
serve you; and remain your friend.
W. BRADFORD.
Philadelphia, the
10th month, 1685.
Public-domain text, read in full here on John Shaqi.
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