The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.MacKellar, Thomas
History
The American Printer: A Manual of Typography: Containing practical directions for managing all departments of a printing office, as well as complete instructions for apprentices; with several useful tables, numerous schemes for imposing forms in every variety, hints to authors, etc.
MacKellar, Thomas
Graphic design (Typography); Printing -- United States -- Handbooks, manuals, etc.; Printing industry -- United States
In taking up his pages for imposition, the compositor tightly grasps the
paper on both sides of the page, in order that it may be kept firm to the
bottom of the page; for if it be left slack, the letters will be liable
to slip out, unless it be particularly well tied up. Having conveyed it
to the stone, he next places the last two fingers of his right hand under
the head of the page, but not under the page-paper at the head of it,
still grasping the sides with his forefingers and thumb; he then slips
his left hand so that the palm of it may turn toward the bottom, and,
lifting the page upright on his right hand, with the left he removes the
paper; he next grasps again the foot-end of the page with his left hand,
in the same manner as the right holds the head of it, and, turning the
face of the type toward him, lays it squarely and quickly down, so that
the whole page may come in contact with the face of the stone at the same
time.
As this method, in inexperienced or careless hands, would frequently
endanger a page containing intricate matter, it will be safer to place
the pages at first on good, strong, but not coarse and rough papers, and,
when they are brought to the stone, instead of lifting them up as just
noticed, slide them off the papers in the same manner as before directed
respecting a folio page on the slice galley, being careful that no
particles of dirt remain under the page.
MAKING UP FURNITURE.
Having ascertained that his pages are laid down right, the compositor
proceeds to dress the chases, which we will suppose to be for a sheet of
octavo. Accordingly he selects a good pair of chases that are fellows in
all respects; and, having laid them over the pages for the two different
forms, he puts such gutter-sticks between page and page, and such reglets
along the sides of the two crosses, as will give the book proper margins
after it is bound.
To ascertain the proper distance, and to prevent wastage of furniture, he
takes short pieces of furniture, or quotations, and quadrates or reglets,
to fit the space between two pages; then, pushing the pages close to
them, he finds the exact width of the furniture necessary, by trying the
ends of various pieces, always measuring from the edge of the lines of
type above the page-cords.
By observing a proper method in cutting up new furniture, the same
will be serviceable for other works as well as the one for which it is
intended, even though the size of the page may differ, provided it agrees
with the margin of the paper. The gutters should be cut two or three
lines longer than the page; the head-sticks wider; the back furniture may
run nearly down to the rim of the chase, but must be level with the top
of the page, which will admit of the inner head-stick running in; the
difference of the outer head-stick may go over the side-stick, and the
gutter will then run up between them. The side-stick only need to be cut
exact, and the furniture will completely justify.
Public-domain text, read in full here on John Shaqi.
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