The American Quarterly Review, No. 18, June 1831 (Vol 9)Various
History
The American Quarterly Review, No. 18, June 1831 (Vol 9)
Various
Intellectual life -- Periodicals; United States -- Intellectual life -- 19th century -- Periodicals
Nor has the attentive author himself been deficient on this occasion, in
the fatherly duty of bespeaking public opinion in favour of his
offspring. In a preface remarkable for that startling species of modesty
by which a man becomes the trumpeter of his own greatness, he predicts
that, if not immediately, at least in eight or ten years hence, his
works will make such an impression, as to occasion a revolution in the
poetical taste of mankind, and become the model of a new school in the
"Divine Art." The confidential puffers to whom the idea was imparted, in
despite of whatever doubts they might entertain on the subject, scrupled
not to give publicity to the prediction. A work destined to such an
illustrious career, could not fail to be endowed with an exalted and
overpowering excellence of some kind, and also of a kind different
altogether from any that had hitherto given satisfaction to the readers
of poetry. The poetical tastes and habits of our nature were, in fact,
to be entirely changed by the influence of this mighty satire. No
wonder, therefore, that curiosity respecting the work was sufficiently
awakened to occasion for it a large demand on its first appearance.
Many of the conductors of the periodical press, who gave publicity to
this exaggerated strain of praise, were, no doubt, sceptical as to its
being altogether merited, and must have acted from motives either of
interest or of courtesy. Yet there may have been some who believed in
the possibility of the wonders which were predicted. Indeed, in this
strange age, when miracles are scarcely to be accounted wonders--when
ships are propelled without wind, and carriages without horses--when
schoolboys and journeymen printers overturn governments and make and
unmake kings with almost as much facility as the manager of a play-house
casts the character of a drama; what extraordinary things may not with
propriety be credited? Even philosophy may now, without reproach,
believe in absurdity; and thoughtless paragraphists, without being
laughed at, may be permitted to suppose that an adventurous rhymester
may speak truth, when he asserts that he is about to revolutionize the
principles of poetical taste and composition!
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