The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 116: Graceful in his mantle.--Ver. 59. The 'palla' was
especially worn by musicians. She is supposed to refer to the statue
of Apollo, which was erected on the Palatine Hill by Augustus; and
her design seems to be, to shew that poetry and riches are not so
incompatible as the girl may, from her lover's poverty, be led to
imagine.]
[Footnote 117: At a price for his person.--Ver. 63. That is to say,
some rich slave who has bought his own liberty. As many of the Roman
slaves were skilful at various trades and handicrafts, and were probably
allowed the profits of their work after certain hours in the day, it
would be no uncommon thing for a slave, with his earnings, to purchase
his liberty. Some of the slaves practised as physicians, while others
followed the occupation of literary men.]
[Footnote 118: Rubbed with chalk.--Ver. 64. It was the custom to mark
with chalk, 'gypsum,' the feet of such slaves as were newly imported for
sale.]
[Footnote 119: Busts about the halls.--Ver. 65. Instead of
'quinquatria,' which is evidently a corrupt reading, 'circum atria' has
been adopted. She is advising the girl not to be led away by notions
of nobility, founded on the number of 'ceræ,' or waxen busts of their
ancestors, that adorned the 'atria,' or halls of her admirers. See the
Fasti, Book i. line 591, and the Note to the passage; also the Epistle
of Laodamia to Protesilaus, line 152.]
[Footnote 120: Nay, more, should.--Ver. 67. 'Quin' seems to be a
preferable reading to-'quid?']
[Footnote 121: There will be Isis.--Ver. 74. The Roman women celebrated
the festival of Isis for several successive days, and during that period
they care-fully abstained from the society of men.]
[Footnote 127: By your censure.--Ver. 80. When she has offended she is
to pretend a counter grievance, so as to outweigh her faults.]
[Footnote 128: A deaf hearing.--Ver. 86. Literally, 'deaf Godhead.']
[Footnote 129: A crafty handmaid.--Ver. 87. The comedies of Plautus and
Terence show the part which the intriguing slaves and handmaids acted on
such occasions.]
[Footnote 130: A little of many.--Ver. 89. 'Multos,' as suggested by
Heinsius, is preferable to 'multi,' which does not suit the sense.]
[Footnote 131: Heap from the gleanings--Ver. 90. 'Stipula' here means
'gleanings.' She says, that each of the servants must ask for a little,
and those little sums put together will make a decent amount collected
from her lovers. No doubt her meaning is, that the mistress should
pocket the presents thus made to the slaves.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account