The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 203: Doctoring your hair.--Ver. 1. Among the ancient Greeks,
black hair was the most frequent, but that of a blonde colour was most
valued. It was not uncommon with them to dye it when turning grey, so as
to make it a black or blonde colour, according to the requirement of the
case. Blonde hair was much esteemed by the Romans, and the ladies were
in the habit of washing their hair with a composition to make it of this
colour. This was called 'spuma caustica,' or, 'caustic soap,' wich was
first used by the Gauls and Germans; from its name, it was probably the
substance which had been used inthe present instance.]
[Footnote 204: So far as ever.--Ver. 4. By this he means as low as her
ancles.]
[Footnote 205: Afraid to dress.--Ver. 5. He means to say, that it was
so fine that she did not dare to curl it, for fear of injuring it.]
[Footnote 206: Just like the veils.--Ver. 6. Burmann thinks that
'fila,' 'threads,' is better here than 'vela,' and that it is the
correct reading. The swarthy Seres here mentioned, were perhaps the
Chinese, who probably began to import their silks into Rome about this
period. The mode of producing silk does not seem to have been known to
Virgil, who speaks, in the Second Book of the Georgies, of the Seres
combing it off the leaves of trees. Pliny also, in his Sixth Book, gives
the same account. Ovid, however, seems to refer to silkworms under the
name of 'agrestes tineæ,' in the Fifteenth Book of the Metamorphoses, 1.
372.]
[Footnote 208: Neither the bodkin.--Ver. 15. This was the
'discerniculum,' a 'bodkin,' which was used in parting the hair.]
[Footnote 210: Bid the bodkin.--Ver. 18. The 'acus' here mentioned, was
probably the 'discemicirium,' and not the 'crinale,' or hair-pin that
was worn in the hair; as the latter was worn when the hair was bound up
at the back of the head; whereas, judging from the length of the hair
of his mistress, she most probably wore it in ringlets. He says that
he never saw her snatch up the bodkin and stick it in the arm of the
'ornatrix.']
[Footnote 211: Iron and the fire.--Ver. 25. He alludes to the
unnecessary application of the curling-iron to hair which naturally
curled so well.]
[Footnote 212: The very locks instruct.--Ver. 30. Because they
naturally assume as advantageous an appearance as the bodkin could
possibly give them, when arranged with the utmost skill.]
[Footnote 213: Dione is painted.--Ver. 34. Pliny, book xxxv. c. 4,
mentions a painting, by Apelles, in which Venus was represented as
rising from the sea. It was placed, by Augustus, in the temple of Julius
Caesar; and the lower part having become decayed, no one could be found
of sufficient ability to repair it.]
[Footnote 214: Lay down the mirror.--Ver. 16. The mirror was usually
held by the 'ornatrix,' while her mistress arranged her hair.]
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