The Amores; or, Amours: Literally Translated into English Prose, with Copious NotesOvid
General
The Amores; or, Amours: Literally Translated into English Prose, with Copious Notes
Ovid
Latin poetry -- Adaptations; Latin poetry -- Translations into English
[Footnote 479: Thy poem onwards.--Ver. 1. Macer translated the Iliad of
Homer into Latin verse, and composed an additional poem, commencing
at the beginning of the Trojan war, and coming down to the wrath of
Achilles, with which Homer begins.]
[Footnote 480: I, Macer.--Ver. 3. Æmilius Macer is often mentioned
by Ovid in his works. In the Tristia, Book iv. Ep. 10,1.41, he says,
'Macer, when stricken in years, many a time repeated to me his poem on
birds, and each serpent that is deadly, each herb that is curative.' The
Tenth Epistle of the Second Book of Pontic Epistles is also addressed to
him, in which Ovid alludes to his work on the Trojan war, and the time
when they visited Asia Minor and Sicily together. He speaks of him in
the Sixteenth Epistle of the Fourth Book, as being then dead. Macer was
a native of Verona, and was the intimate friend of Virgil, Ovid, and
Tibullus. Some suppose that the poet who wrote on natural history, was
not the same with him who wrote on the Trojan war; and, indeed, it does
not seem likely, that he who was an old man in the youth of Ovid, should
be the same person to whom he writes from Pontus, when about fifty-six
years of age. The bard of Ilium died in Asia.]
[Footnote 481: Tragedy grew apace.--Ver. 13. He alludes to his tragedy
of Medea, which no longer exists. Quintilian thus speaks of it: 'The
Medea of Ovid seems to me to prove how much he was capable of, if he had
only preferred to curb his genius, rather than indulge it.']
[Footnote 482: Sabinus return.--Ver. 27. He represents his friend,
Sabinus, here in the character of a 'tabellarius,' or 'letter carrier,'
going with extreme speed (celer) to the various parts of the earth, and
bringing back the answers of Ulysses to Penelope, Hippolytus to Phaedra,
Æneas to Dido, Demophoôn to Phyllis, Jason to Hypsipyle, and Phaon to
Sappho. All these works of Sabinus have perished, except the Epistle of
Ulysses to Penelope, and Demophoôn to Phyllis. His Epistle from Paris
to Oenonc, is not here mentioned. See the Pontic Epistles, Book iv. Ep.
xvi. 1. 13, and the Note to the passage.]
[Footnote 483: Bring back letters.--Ver. 28. As the ancients had
no establishment corresponding to our posts, they employed special
messengers called 'tabellarii,' for the conveyance of their letters.]
[Footnote 484: Vowed to Phobus.--Ver. 34. Sappho says in her Epistle,
that if Phaon should refuse to return, she will dedicate her lyre to
Phobus, and throw herself from the Leucadian rock. This, he tells her,
she may now-do, as by his answer Phaon declines to return.]
[Footnote 485: Pain in her head.--Ver. 11. She pretended a head-ache,
when nothing wras the matter with her; in order that too much
familiarity, in the end, might not breed contempt.]
[Footnote 486: A surfeit of love.--Ver. 25. 'l'inguis amor' seems here
to mear a satisfied 'ora 'pampered passion;' one that meets with no
repulse.]
[Footnote 487: Enclosed Danaë.--Ver. 27. See the Metamorphoses, Book
iv., 1.]
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