The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
“Well, I won’t tell you about that bedside, and Frank’s silent anguish;
you know well enough about such scenes—The room was large and lofty, not
unlike this. At the far end was an alcove, curtained off; and behind the
drapery I could discern a light, and a cradle; but we did not speak of
those things. There was no attendant. Anita’s old nurse, Loretta, who was
a kind of mother to us all, was sleeping in the next chamber, worn out
with labor and sorrow. And the others, those terrible, necessary others
that you and I can never get used to, were not to appear until the morrow.
“It was like Janvier not to waken Loretta. He himself brought water and
towels. Giuseppe was just about to mix his first plaster when a knock
was heard. Janvier stepped out, but soon returned to tell Giuseppe, very
gravely, that little Emilio was once more in agony, and that both of
them must go at once, in the hope of saving the child’s life. You see
Janvier had made some important studies in children’s lung troubles, and
had worked out some successful methods that he didn’t yet dare trust to
others, without supervision.”
“You mean to say he and Giuseppe left you there?”
“It was the only thing to do, wasn’t it? If Janvier could bear his part,
why shouldn’t I bear mine? I knew it might be hours before he would leave
Giuseppe’s child. And I knew, too, that the exalted loveliness of that
dead face might vanish at any moment; such looks do not stay long among
us. Janvier’s quiet putting aside of his own feelings showed me what to
do. I steeled myself and made the mould. I don’t mind telling you, a cold
sweat broke out all over me; but dreading it was really much harder to
bear than doing it. There was something in the still beauty of the girl’s
face that strengthened me; I seemed to see and feel this loveliness even
while I was veiling it under layers of plaster. And when I had taken
the mould away, and the face was revealed again, no less peaceful than
before, and quite unprofaned by my work, I felt a kind of consolation.
My part of the work had been rightly done, for all my trembling; and
Giuseppe could easily make the cast itself, in my studio.
“A long time, as it seemed to me, I sat there by the bed, watching that
beloved face. I wondered whether the same radiant peace shone from the
face of the dead child. I knew Anita would wish to have me look at her
child; I owed it to her memory.
“I parted the alcove curtains, and turning up the light, I lifted the
delicate little linen sheet that covered the cradle. What I saw I have
never yet spoken of to any one, not even to Janvier; perhaps least of all
to Janvier, Janvier with his great dream of justice! I know that what I
say is safe with you, Gerald? You promise? The little face, exquisitely
fashioned and peaceful, indeed, was unmistakably one of those darker
blossoms on the tree of life. The darker strain! And it was far more
clearly marked than in Richmond.”
Gerald recoiled in horror. “Richmond—”
Public-domain text, read in full here on John Shaqi.
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