The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
One winter evening, in a snugly built little stone cottage near the
northern border of Vermont, a young family of three had gathered beside a
glowing hearth and a cheerful lamp to enjoy an hour of that contentment
which is most deeply felt when the fire is bright, the curtain closely
drawn, and a storm is raging without. It was the birthday of the child
Samuel. He was three years old, and as a birthday indulgence, he was to
sit up until seven o’clock, and carve things with the jack-knife that his
father, himself a carver of renown, had brought him as a birthday gift.
This was by no means his first adventure with a knife. For a year or more
he had managed a knife, at first feebly, but later with an astonishing
ease. His father was proud of the infant Phidias, and even his mother had
ceased to be terror-stricken at the conjunction of child and knife. The
motions of the boy Samuel were happy and accurate. At the present hour,
such gestures as his would be called eurhythmic, or something of that
sort; even in those days of preposterous precocity, he was regarded with
wonder.
It was the month and the year when for the first time there was a
Confederacy, with a President to be prayed for, or else against. Stirring
era! No lack of interesting items for the father to read aloud from
his Weekly; Nancy, the young wife busy with her sewing, was as deeply
interested as he himself in the doings at Fort Sumter. Her comments
on Lincoln and Davis were no less keen than his. With eyes now bent
on her work, a fine linen handkerchief to be hemmed on four sides,
and now returning to the child seated on the braided rug at her feet,
she still had time and thought to give to her husband’s reading; at
twenty-three, she rejoiced to be living in portentous times. And pray
do not imagine that because the home was remote from great cities, the
mother necessarily comported herself as a poor rustic creature, or as one
unfamiliar with the counsels of “Godey’s Lady’s Book.” Her ample gown was
of the finest cashmere, triple-dyed of a deep rose-color, and it was well
spread out upon a hoop-skirt which she managed with the kind of skill
that a rose in full bloom must employ when keeping its petals in order.
Public-domain text, read in full here on John Shaqi.
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