The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
The father, alone with his offspring, was agitated too. His hands were
so strong! Surely, in a better world than this, a better way could be
found. How was he to know how much he ought to hurt his own child? He
groaned as he picked up the boy, slipped down those absurd and shapeless
breeches, and with firm hand directed toward the infirm, time-honored
spot, administered chastisement. A shriek of surprise and anger, a burst
of sobs, then silence. The woman at the keyhole could bear the shriek and
the sobs, but not the silence. She bounded into the room, and clasped the
insubordinate one to her heart. In truth, even the dog Ajax was disturbed
by that homely scene of punishment; the hair on his shoulders stiffened,
and he made an evil noise in the back of his throat. Of all those
present, the cat Pharaoh alone remained unmoved, detached as the Pyramids
themselves, in a stony indifference to human woe. Pharaoh, though in a
sense connected with the origin of the trouble, washed his paws of it,
and kept his calm.
Silent tears ran down Samuel’s cheeks, from which, as the mother saw with
terror, the dazzling rosy color had now quite faded. The Nancy in her
died; only the Annunziata was left. Oh, what if, what if?—But her alarm
was needless. Samuel had the proud blood of survivors in his veins. Not
for nothing was he a Vermonter born. Welsh seers and Norman craftsmen
and Scottish covenanters had stubbornly watched his cradle; his fair
substance had come all the way to Vermont from old Rome via Bunker
Hill. The father brought from the adjoining bedroom the child’s woolly
nightgown, ugly and comfortable and orange-dyed. He warmed it before the
blaze. As the parents undressed the culprit, they noted, with an almost
guilty surprise, how much smaller he seemed now that his blue tunic was
off. The father held the boy in his arms before the fire, while the
mother, kneeling, wiped away the soundless tears welling continually. No
word was spoken. At last the father carried the dusky orange cocoon into
the bedroom, and set it in its crib, and covered it gently. The mother,
worn out by the artist’s birthday, crept away to bed, leaving her husband
to console himself with his violins, if he could.
Public-domain text, read in full here on John Shaqi.
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