The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
He wondered what Peter, the practical genius, would do in that
ill-smelling hole. Peter, he concluded, would explore things. Royal’s
flashlight revealed two flimsy packing-cases; the movie-man was his
Providence, that night. He waited until midnight, by his watch. He then
set one box on the other, and by cautious climbing, managed to reach the
tiny barred window, high in the wall. The bars were ancient in their
shallow sockets; Royal was lean, even leaner than usual; in a twinkling
he had leaped down crashing into some mournful sumac trees, and after
that, escape was easy, along the adjoining church and churchyard. Surely
the leprecauns were on his side! All of a sudden he realized that his act
of self-preservation from so-called justice was one of the most practical
bits of work he had ever performed in his life. He had a momentary gleam
of shame for his impractical, un-Peter-like past, and even gave a thought
to his father, in his hot city studio, working for the wherewithal. But
that mood soon passed. The ecstasy of escape from the troubles he had
brought on himself gave him wings. Until nearly dawn, he swept straight
ahead, under a favoring moon. He was composing a Sonnet to Some Sumacs.
“A prisoner pent, I flew to your fond arms,
And maybe broke a few of them, my dears”;—
A wonderful beginning! It would require some fine work with _charms_,
_harms_, _alarms_; with _fears_, _cheers_, _reveres_. But Royal was
perfectly happy; and no one can say that his inspiration was not
authentic.
Not twenty miles from his own home with its bacon-and-eggs breakfasts, he
saw a belated or else be-earlied furniture-van approaching from a wooded
road that met the highway. Its driver, so Royal judged as a bearded face
emerged out of the morning mist, was one of those how-could-I-help-it
persons who are always a little late or a little early, a type toward
which he felt drawn. He waited there, at the heart of the crossroads.
The man hailed him, and Royal, in his character-part of young man out of
work, accepted the proffered lift, and ate heartily of the rude liberal
bread and cheese that tasted of the leather seat. They chatted at ease
of brakes, tires, clutches, and children, as they rode quietly into the
morning. Royal contributed most of the listening; he was quite as much at
home among elderly workers for a living as with frivolous persons of his
own age.
Public-domain text, read in full here on John Shaqi.
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