The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
“I wanted some money to get my little sister a birthday present. She’d
been ill in bed for five weeks, and was peevish as a wasp, driving Aunt
Lise distracted asking for a big doll. Much as ever we could pay for the
doctor and medicines, let alone a French doll, but I wanted to get it
for her. She’s the only girl we have. Well, I was walking by Flatto’s
one day, with Phineas, and I was fool enough to say I’d give my boots if
I could get her a beauty doll we saw there in the window. ‘Gosh,’ says
Phin, ‘I can tell you how you can earn that doll, on the side, without
working.’ ‘How so?’ says I. ‘Well,’ says Phinny, ever so thoughtful, ‘a
rich feller and I got talking about the way girls paint up their faces,
and I said men sometimes did it too. He said rats, and I bet him ten
I could prove it, and he took me up on it. I was thinking about the
Academy exhibition,’ says Phinny, ‘and I knew Mr. Lucas was sending
his self-portrait to the show. But now,’ says Phinny, ‘I’ve found out
that portrait wasn’t accepted; and maybe my friend wouldn’t ante, just
for a painted _portrait_, not a real _person_. But,’ says Phinny, very
earnestly, ‘if I could get a regular feller, like you, to make up with
paint, I’d give him half what I make; and that would net you the five
plunks for the doll.’”
Apollos paused as if ashamed of “telling.” But his recollections were too
much for him, and upon my encouragement, he went on.
“Well, I fell for it. I didn’t stop to think how it would look; I only
knew the money would look good to me. And I knew Phinny was a little
brother to the rich; some of his fool-friends just wallow in coin. So
on the spur of the moment, we went round to Phin’s house for him to do
me. He’s in with the set that do private theatricals, and he has all the
stuff from a rabbit’s-foot down. _I_ thought it would be funny if he
would do my nose good and red; but, no, he just did my cheeks and ears,
and blackened up my eyelashes, and we went right over to the Academy
exhibition then and there, and met his fool-friend. One of the artists
had given Phinny tickets on account of his ancestors. I had no idea what
I looked like. People stared, of course, but I thought that was part of
the programme.”
Evidently a very painful thought still lurked in Apollos’s mind.
“You got the money,” I remarked, casually.
“Oh, no.” Apollos rapidly wiggled all his ten toes. “I threw it back at
him and told him to go to Hell with it.”
“For Heaven’s sake, why?”
Again a bright red suffused the boy’s face.
“When I got up to the L station and looked in the mirror, I saw for the
first time that he’d made me up to look like a _girl_!” Clearly the
horror of that realization had not yet departed from Apollos. “It was a
low-down trick, and I beat him up for it.”
Public-domain text, read in full here on John Shaqi.
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