The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
“What are you going to do, then? Teach languages?”
“I’ve tried that,” replied the best model I ever saw, “but I found it
unsatisfactory. You see my mother was French, born in Strasbourg. So
while she lived, we always spoke the three languages at home, meal-times;
English for breakfast, German for dinner, and French for supper. Father
liked it so, and we boys couldn’t look back on a time when it wasn’t so.
I had the French conversation classes for two terms at the Elmdale High
School, and I got on fine until one of the trustees wanted the job for
his wife’s sister. So he went ahead and found out that I was a minor, and
had me fired.”
“What a shame!”
“Why, no, it didn’t matter much. If I might rest this elbow just a
moment, it seems a bit dead—I meant to quit, anyway. There was nothing in
it for me, it wasn’t leading to anything I wanted.”
“Well, what was it you wanted?”
Apollos made no answer other than that slow blush of his, swarming all
over his face and finally demobilizing in his ears. For a moment, his
whole figure had an expression that would have been wistful in a smaller
lad; even as it was, there was something very touching about it. I could
only hope that his ambition, however humble, was at least honorable. I
reminded myself that I must not expect, in a Canadian boy, the same lofty
impulses that would quicken the blood of a Signer’s descendant.
Meanwhile, my work with Phineas was going rather badly. I could not teach
his aristocratic spirit to get down to brass tacks. His posing became
worse instead of better. Before long, I found myself doing over again,
every morning, from Apollos, all that I had bungled in doing, every
afternoon, from Phineas. It occurred to me that perhaps I was too tired,
in the afternoon, to do justice to Phineas, and that possibly Phineas’s
pose was the more difficult one. However, when I changed about, things
were still worse. I realized at last that my sprig of nobility was a
hindrance rather than a help. What to do? I had promised him work through
the summer. If I should pay him handsomely and discharge him, with his
part of the bargain unfulfilled, I should write myself down an easy mark
for models—a reputation no serious artist seeks. It would be complicity
after the crime. Besides, Apollos might well become discontented, on
beholding the rewards of the ungodly.
Public-domain text, read in full here on John Shaqi.
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