The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
By the end-window of the garage, in what chanced to be a good north
light, I saw a bust; the bust that Apollos, of all persons in the world,
had been modelling from memory in the dark privacy of his farmhouse
attic room, and immediately on my departure, had brought to the garage
for an orgy of peaceful study. Even from the distance at which I stood,
I perceived that the thing was a startlingly good likeness of myself;
myself in a somewhat heroic aspect, to be sure, but still unmistakably
me, almost life-size, in clay. My me-ness stuck out all over it. It
really gave me a start, offered me an ideal to live up to. I don’t say
it was finer than anything of Houdon’s or Rodin’s. I merely say it was
amazing for a boy who had had no instruction save the crumbs he had
picked up while posing. The lad’s secret ambition was quite evident to
me now. But for my own rather heartless absorption in my Three Angels, I
might have guessed it before. I felt ashamed.
“Phineas,” I remarked very seriously, and I suited the action to the
word, “I take off my hat to Apollos!”
Phineas answered, with a sincerity not to be doubted in a Stickney, “So
do I, and I always shall. That is, if he keeps on like this!”
The fire gave me a new light on my models. I learned to my surprise that
my aristocrat was something of a carpenter. He was full of plans for
rebuilding the destroyed wing of my studio, and even drew everything out
carefully on paper in scale, and very creditably too. I saw that if I
could get a few men at once, it would take but a short time to rig up a
temporary refuge for finishing my angels. Late haying being over, the
thing was somehow accomplished; Phineas worked like a boy possessed; and,
as Apollos was soon hobbling about very capably on crutches, we had a
studio-warming, during which the two lads superintended the replacing of
the angels, by the efforts of their former crew, Prince Eugene Gage, the
town drunkard, One-Eye Sims that’s supposed to keep the toll-house, and
the hulkingest Beecher boy. Those three were the scum of the village.
Hence I often say, In an emergency, don’t scorn the scum.
But the oddest part of the adventure was this. And I’ve not yet finished
marvelling at it. After the two angels were really up again, and Phineas
and Apollos and I stood staring at them, Apollos, with that little air of
authority that nobly earned crutches sometimes confer, suddenly said out,
quite loud, “But there’s nothing to do to them, really, Mr. Jefferson!
They’re _done_!” And after one good glance, my inward eye told me that
he was absolutely right. I might never have known that they _were_ done,
however, if I had kept on working at them, and if I had not, in despair,
gone a-fishing! That very night, I telegraphed for my plaster-moulder.
Public-domain text, read in full here on John Shaqi.
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