The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
“Yes, but I didn’t dass tell her Rover hed snatched the porringer, and
was carryin’ it straight as a streak o’ lightnin’ to the Ellicksender
boys. No, sir, as long as I was in my right mind, I never owned up a
syllable of it to anybody!” A note of sinful triumph rang in the old
lady’s voice. “’Twa’n’t till two years later it all came out. I hed
scarlet fever, and was dretful deleerious, and raved a lot about Rover
and the porringer and the Ellicksender haouse; so Aunt Car’line knew
at last jest what happened. That sickness spared me the rod, I guess!”
Grandma chuckled at the thought of this immunity, but at once recollected
herself. “No, Felix, ’tain’t any use. Be sure your sin will find you out.”
Again Felix squirmed away from any impending moral, mentally making a
note to the effect that he must study ways to avoid scarlet fever, if not
actual sin.
“But of course ’twas too late then to accuse the Ellicksenders. And one
o’ them, the wust one, hed died in jail, anyhow; so you see, Felix, if
he _did_ take that porringer, his sin found _him_ out, too. The youngest
boy turned out real good, it seems. Grew up to be a minister, real
celebrated, too. Some younger’n me, he was.”
But the career of the boy who “turned out real good” had no vital
interest for Felix. His thoughts wandered toward the “wust one,” the one
who died in jail. Not that he himself wanted to die in jail; far from it.
But he certainly did not want to grow up to be a minister, either; and he
hoped in his secret heart that there might be some middle course. A most
determined little fellow was Felix. That day, while listening to one half
of the porringer story, and repeating the other, he made up his mind that
when he should reach man’s estate, he would get to the bottom of this
Lafayette business.
Very delicately, he twirled the silver cover over his palm, as if it were
a kind of sacred top too fine for human nature’s daily play. He flicked
it lightly, connoisseur-fashion, with his handkerchief. For a second, he
was almost sorry that the handkerchief, from its nature and uses, had
to be so grimy. Then he heaved a sigh for beauty vanished. I have often
thought that if Cousin Felix had gone into poetry instead of paint, he
would have made good in that, too.
“Too bad there’s no bottom when there’s such a beautiful top! Say,
Grammer, show us the drawing you made when you were little.”
Public-domain text, read in full here on John Shaqi.
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