The Amouretta landscape, and other storiesAdams, Adeline
General
The Amouretta landscape, and other stories
Adams, Adeline
American fiction -- 20th century; Short stories, American
Steven Grant’s main studio, being a sculptor’s, was naturally doomed
to the basement of his house. The second-floor den was not precisely a
studio, though works of art had been created there. It was a room not
quite like a library, yet with plenty of space for books, and books
for the space; a room that was a bit larger than a smoking-room, and
rather less elegant than a drawing-room; comfortable chairs abounded
and cheerful tones prevailed, evidently in complete amity with a pair
of dim, priceless tapestries that seemed to know all and pardon all in
both furniture and folk. It was a room in which old memories and new
conveniences were happy together; a bachelor had somehow managed it so.
As years went by, Steven Grant became increasingly glad that the McKim,
Mead and White panelling of the late eighties had piously respected the
delicate acanthus cornice of the early forties. He often said that he was
the only artist in New York whose career had begun and would end under
the same roof.
You would have taken uncle and nephew for a pair of brothers, one silvery
and one golden. Evening dress and the bright decorations emphasized the
resemblance. Both men were tall, slender, clean-shaven. Steven Grant
carried his sixty years lightly, as artists often do, while Gerald at
thirty sometimes showed a seriousness in accord with his honors rather
than with his years. His forehead was already higher than his uncle’s;
both men chuckled over that, but naturally Uncle Steve’s chuckle was
heartier. Gerald slouched a little, after the custom of his generation;
this made him seem more _blasé_ than he really was. Steven Grant was
straight as a pine tree; this gave him a challenging look that people
liked. The ties of blood and their pursuits bound the two together in a
harmony that would scarcely have borne out the theories of Shaw, Samuel
Butler, and other dispraisers of the Family.
That night, they were like a pair of girls in their wish to live the
dinner over again, with the added joy of uncensored comment. “We’ll get
our golden halters off,” said Uncle Steve, “and browse at our ease.”
“Wasn’t Mrs. Storms the limit?” laughed Gerald. “Talk about the immodesty
of our maidens! Strikes me, Uncle Steve, your generation is fully as mad
as ours.”
“Don’t judge all dowagers by one,” urged the other, turning on the light.
Gerald stopped short in the midst of a jesting answer, forgetting both
maidens and dowagers as he suddenly saw over his uncle’s familiar hearth
something he had never seen there before; the cast of a beautiful head,
palely tinted.
“Why, Uncle Steve,” he cried, “you have it too, that face called
Forgiveness!”
“Is that its name?” asked Steven Grant quietly.
Public-domain text, read in full here on John Shaqi.
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