A substance or thing is supposed to be identical at different times,
although its properties may change. John Jones is the same person
throughout his life, although he grows from childhood to manhood, is
sometimes pleased and sometimes cross, sometimes awake and sometimes
asleep. Primarily, he is considered to be the same person because he
has the same name. But the name, like the person, is not exactly the
same on different occasions; it may be spoken loud or soft, quickly
or slowly. These differences, however, are too slight to prevent
recognition, except on rare occasions—e.g. when the name is
pronounced very badly by a foreigner; one of the merits of names is
that they change less than the person named.
The conception of substantial identity with varying properties is
embedded in language, in common sense, and in metaphysic. To my mind,
it is useful in practice, but harmful in theory. It is harmful, I mean,
if taken as metaphysically ultimate: what appears as one substance
with changing states should, I maintain, be conceived as a series of
occurrences linked together in some important way. I will not yet argue
this view. It would have been utterly foreign to physics until the
substitution of space-time for space and time, with the corresponding
substitution of a four-dimensional continuum of events for the older
conception of persistent material units moving in a three-dimensional
space. But the older conception[Pg 153] still appears the natural one to apply
to electrons and protons, so that physics may be said to have, at the
moment, two different points of view on this issue. For the present,
I am not concerned to criticize the notion of substance, but only
to show its genesis, which I take to be derived from the pre-human
emotion which we reflectively call "recognition," though it has not,
originally, the definite cognitive character attached to the word when
applied to the mental processes of an adult human being.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account