Yet this might perhaps be regarded as something of an overstatement. The words alone, without the use of images, may cause appropriate emotions and appropriate behaviour. The words have been used in an environment which produced certain emotions; by a telescoped process, the words alone are now capable of producing similar emotions. On these lines it might be sought to show that images are unnecessary. I do not believe, however, that we could account on these lines for the entirely different response produced by a narrative and by a description of present facts. Images, as contrasted with sensations, are the response expected during a narrative; it is understood that present action is not called for. Thus it seems that we must maintain our distinction words used demonstratively describe and are intended to lead to sensations, while the same words used in narrative describe and are only intended to lead to images. We have thus, in addition to our four previous ways in which words can mean, two new ways, namely the way of memory and the way of imagination. That is to say: (5) Words may be used to describe or recall a memory-image: to describe it when it already exists, or to recall it when the words exist as a habit and are known to be descriptive of some past experience. (6) Words may be used to describe or create an imagination-image: to describe it, for example, in the case of a poet or novelist, or to create it in the ordinary case for giving information-though, in the latter case, it is intended that the imagination-image, when created, shall be accompanied by belief that something of the sort occurred. These two ways of using words, including their occurrence in inner speech, may be spoken of together as the use of words in "thinking." If we are right, the use of words in thinking depends, at least in its origin, upon images, and cannot be fully dealt with on behaviourist lines. And this is really the most essential function of words, namely that, originally through their connection with images, they bring us into touch with what is remote in time or space. When they operate without the medium of images, this seems to be a telescoped process. Thus the problem of the meaning of words is brought into connection with the problem of the meaning of images.