Data are not those things of which our consciousness is earliest in
time. At every period of life, after we have become capable of thought,
some of our beliefs are obtained by inference, while others are not.
A belief may pass from either of these classes into the other, and may
therefore become, or cease to be, a belief giving a datum. When, in what
follows, I speak of data, I do not mean the things of which we feel sure
before scientific study begins, but the things which, when a science
is well advanced, appear as affording grounds for other parts of
the science, without themselves being believed on any ground except
observation. I assume, that is to say, a trained observer, with an
analytic attention, knowing the sort of thing to look for, and the sort
of thing that will be important. What he observes is, at the stage of
science which he has reached, a datum for his science. It is just as
sophisticated and elaborate as the theories which he bases upon it,
since only trained habits and much practice enable a man to make
the kind of observation that will be scientifically illuminating.
Nevertheless, when once it has been observed, belief in it is not based
on inference and reasoning, but merely upon its having been seen. In
this way its logical status differs from that of the theories which are
proved by its means.
In any science other than psychology the datum is primarily a
perception, in which only the sensational core is ultimately and
theoretically a datum, though some such accretions as turn the sensation
into a perception are practically unavoidable. But if we postulate an
ideal observer, he will be able to isolate the sensation, and treat this
alone as datum. There is, therefore, an important sense in which we
may say that, if we analyse as much as we ought, our data, outside
psychology, consist of sensations, which include within themselves
certain spatial and temporal relations.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account