brought out, and the individual character of this old man, vegetating here after an active career, melancholy and miserable; sometimes torpid with the slow approach of utmost age; sometimes feeble, peevish, wavering; sometimes shining out with a wisdom resulting from originally bright faculties, ripened by experience. The character must not be allowed to get vague, but, with gleams of romance, must yet be kept homely and natural by little touches of his daily life. As for Alice, I see no necessity for her being anywise related to or connected with the old Hospitaller. As originally conceived, I think she may be an artist--a sculptress--whom Eldredge had known in Rome. No; she might be a granddaughter of the old Hospitaller, born and bred in America, but who had resided two or three years in Rome in the study of her art, and have there acquired a knowledge of the Eldredges and have become fond of the little Italian girl his daughter. She has lodgings in the village, and of course is often at the Hospital, and often at the Hall; she makes busts and little statues, and is free, wild, tender, proud, domestic, strange, natural, artistic; and has at bottom the characteristics of the American woman, with the principles of the strong-minded sect; and Middleton shall be continually puzzled at meeting such a phenomenon in England. By and by, the internal influence [evidence?] of her sentiments (though there shall be nothing to confirm it in her manner) shall lead him to charge her with being an American. Now, as to the arrangement of the Romance;--it begins as an integral and essential part, with my introduction, giving a pleasant and familiar summary of my life in the Consulate at Liverpool; the strange species of Americans, with strange purposes, in England, whom I used to meet there; and, especially, how my countrymen used to be put out of their senses by the idea of inheritances of English property. Then I shall particularly instance one gentleman who called on me on first coming over; a description of him must be given, with touches that shall puzzle the reader to decide whether it is not an actual portrait. And then this Romance shall be offered, half seriously, as the account of the fortunes that he met with in his search for his hereditary home. Enough of his ancestral story may be given to explain what is to follow in the Romance; or perhaps this may be left to the scenes of his intercourse with the old Hospitaller.