France -- Civilization; France -- Politics and government; France -- Social life and customs
When, especially, women are concerned it is not sufficient to be polite;
it is important to be gallant. Each lady invited by the Prince de Conti
to Ile-Adam "finds a carriage and horses at her disposal; she is free to
give dinners every day in her own rooms to her own friends."[2245] Mme.
de Civrac having to go to the springs, her friends undertake to divert
her on the journey; they keep ahead of her a few posts, and, at every
place where she rests for the night, they give her a little féte
champêtre disguised as villagers and in bourgeois attire, with bailiff
and scrivener, and other masks all singing and reciting verses. A lady
on the eve of Longchamp, knowing that the Vicomte de V--possesses two
calèches, makes a request for one of them; it is disposed of; but he is
careful not to decline, and immediately has one of the greatest elegance
purchased to lend it for three hours; he is only too happy that anybody
should wish to borrow from him, his prodigality appearing amiable but
not astonishing.[2246] The reason is that women then were queens in
the drawing-room; it is their right; this is the reason why, in the
eighteenth century, they prescribe the law and the fashion in all
things.[2247] Having formed the code of usages, it is quite natural that
they should profit by it, and see that all its prescriptions are carried
out. In this respect any circle "of the best company" is a superior
tribunal, serving as a court of last appeal.[2248] The Maréchale de
Luxembourg is an authority; there is no point of manners which she does
not justify with an ingenious argument. Any expression, any neglect of
the standard, the slightest sign of pretension or of vanity incurs her
disapprobation, from which there is no appeal, and the delinquent is
for ever banished from refined society. Any subtle observation, any
well-timed silence, an "oh" uttered in an appropriate place instead
of an "Ah," secures from her, as from M. Talleyrand, a diploma of good
breeding which is the commencement of fame and the promise of a fortune.
Under such an "instructress" it is evident that deportment, gesture,
language, every act or omission in this mundane sphere, becomes, like
a picture or poem, a veritable work of art; that is to say, infinite in
refinement, at once studied and easy, and so harmonious in its details
that its perfection conceals the difficulty of combining them.
Public-domain text, read in full here on John Shaqi.
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