de Miromesnil, keeper of the seals, is the smartest and most finished of Scapins; M. de Vaudreuil seems to rival Molé; the Comte de Pons plays the "Misanthrope" with rare perfection.[2274] "More than ten of our ladies of high rank," writes the Prince de Ligne, "play and sing better than the best of those I have seen in our theaters." By their talent judge of their study, assiduity and zeal. It is evident that for many of them it is the principal occupation. In a certain chateau, that of Saint-Aubin, the lady of the house, to secure a large enough troupe, enrolls her four chambermaids in it, making her little daughter, ten years old, play the part of Zaire, and for over twenty months she has no vacation. After her bankruptcy, and in her exile, the first thing done by the Princess de Guéménée was to send for upholsterers to arrange a theater. In short, as nobody went out in Venice without a mask so here nobody comprehended life without the masqueradings, metamorphoses, representations and triumphs of the player. The last trait I have to mention, yet more significant, is the afterpiece. Really, in this fashionable circle, life is a carnival as free and almost as rakish as that of Venice. The play commonly terminates with a parade borrowed from La Fontaine's tales or from the farces of the Italian drama, which are not only pointed but more than free, and sometimes so broad that they cant be played only before princes and courtesans;"[2275] a morbid palate, indeed, having no taste for orgeat, instead demanding a dram. The Duc d'Orléans sings on the stage the most spicy songs, playing Bartholin in "Nicaise," and Blaise in "Joconde." "Le Marriage sans Curé," "Leandre grosse," "L'amant poussif," "Leandre Etalon," are the showy titles of the pieces composed by Collé "for the amusement of His Highness and the Court." For one which contains salt there are ten stuffed with strong pepper. At Brunoy, at the residence of Monsieur, so gross are they[2276] the king regrets having attended; "nobody had any idea of such license; two women in the auditorium had to go out, and, what is most extraordinary, they had dared to invite the queen."--Gaiety is a sort of intoxication which draws the cask down to the dregs, and when the wine is gone it draws on the lees. Not only at their little suppers, and with courtesans, but in the best society and with ladies, they commit the follies of a bagnio. Let us use the right word, they are blackguards, and the word is no more offensive to them than the action. "For five or six months," writes a lady in 1782,"[2277] "the suppers are followed by a blind man's buff or by a draw-dance, and they end in general mischievousness, (une polissonnerie générale)." Guests are invited a fortnight in advance. "On this occasion they upset the tables and the furniture; they scattered twenty caraffes of water about the room; I finally got away at half-past one, wearied out, pelted with handkerchiefs, and leaving Madame de