Mimi was the heroine, _par excellence_, of all the picture-postcards.
Errand-boys whistled her songs, and told each other stories about her in
whispers. The front pages of the foul "sporting" papers which depended
upon their obscenity for their circulation were never without constant
mention of the girl's name.
Young, lovely, talented--with the terrible cleverness that one must
suppose the evil angels of Satan have--she stood almost alone in her
success and evil. She was a popular idol, though there were some who
knew the woman as she was--a high-priestess of degradation, a public
preacher of all that is debased and low!
Hampson knew. He did not watch the life in which she shone like a red
star. It was far alien from his own, utterly separate from the lives of
all Christian people. But he was a man in the world, and he could not
escape the popular knowledge.
As the curtain went up once more he set his teeth and sent up a wordless
prayer to God that his mind might not be influenced or soiled, that the
Almighty would bring the woman to repentance and cause the scourge to
cease.
She came upon the scene. There was a thunder of hands--even a few loud
cries of welcome pierced the mad applause. Yes, she was beautiful--very
beautiful indeed. And there was charm also. It was not a mere soulless
loveliness of face and form.
After the first verse of the song, there was a momentary pause while the
orchestra played the symphony on muted strings.
Then she began again, beautiful and seductive as a siren, with a voice
like a mellow flute. The lights were lowered in the auditorium. It was
well, for many folk, even amid that gay and worldly audience, grew hot
and flushed.
As the last triumphant notes of the song trilled through the theatre an
extraordinary thing happened.
A deep trumpet voice rang through the house. The voice of a man, deep,
musical and terrible--a voice that cleft the brain like a sword.
The lights leapt up once more, and all the vast audience, with a shudder
of fear, turned to look at the face and form of him who had spoken.
Standing in the stage-box, surrounded by a group of sombre figures, a
man was visible in the view of all.
Something went through the theatre like a chill wind. The music of the
band died away in a mournful wail.
There were a few frightened shouts, and then came a deep, breathless
silence.
Standing in the midst of them was one who, in face and form, seemed to
be none else but Our Lord Himself!
Hampson knew that voice. Even as it pealed out he rose, staggered, and
sank back into the arms of the man next to him. He did not know that Sir
Thomas was pointing with outstretched arm to the figure of a woman who
stood among the surrounding group in the box. He hardly heard the young
baronet's agonized cry of "Mary! Mary!"
He heard only that awful accusing thunder--
"WOE UNTO YOU, SAMARIA!"
Public-domain text, read in full here on John Shaqi.
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