Everything had fallen out so conveniently, too: Lady Ellington had told her at breakfast that she was going to be out for lunch, and engaged after lunch, and she did not inquire into Madge's plans at all. She had received no reply to her note to Evelyn, and the very fact that there was none seemed to bring her into more intimate relations with him. Then after lunch she had to change to her white evening dress, over which she put a long dark cloak, her maid arranged her hair, for it was best to go complete, and she took with her, in case of need, the scarlet opera cloak. And all this preparation was so much joy to her, she felt in her very bones that it was while he was looking at her dressed thus that he first knew he loved her, and thus dressed she would come back to him to-day. Above all, the long riddle of these days was solved now; here was the answer, she was the answer. Yet though all her heart leaped forward, it did not accelerate her actual movements; the four-wheeler also was rather slow, and it was some ten minutes after three when she arrived at the door of the studio in the King's Road. Just beyond it was drawn up a motor-car, beside which stood a footman. As she stepped out of her cab, he went to the door of the motor and opened it. And within a yard or two of her stood her mother. Instantly all the passion and love in Madge's heart was transformed into mere resolve, for she knew that a struggle, the matching of her will against her mother's lay in front of her. But all the strength of her love was there; it lost nothing of that. Lady Ellington had crossed the pavement more quickly than she, and stood in front of the door. "Where are you going to, Madge?" she asked. Madge turned not to her but to the footman, holding out a florin. "Pay my cab, please," she said. Then she turned to her mother. "I have made an appointment to sit to Mr. Dundas this afternoon," she said. "It is absurd for you to tell me that you didn't know that. But I ask you how you knew?" "Philip told me," said Lady Ellington. "Philip!" cried Madge. Then she controlled that sudden ebullition, for every fibre within her knew that her incredulity, which only half-believed this, had done him wrong. So, calming herself, she spoke again. "I don't believe that," she said. That was the declaration of war; quiet, tranquil, but final. The point between the two was vital, it reached downwards into the depths of individuality where compromise cannot live, being unable to breathe in so compressed an atmosphere. And Lady Ellington knew that as well as Madge; there was war. She and her daughter stood in unreconcileable camps, diplomacy was dumb, the clash of arms could alone break the silence. She pointed to the motor-car, for the modernity of setting was inevitable, even though primeval passions were pitted against each other.