"And I dread his suspecting more," she went on. "I so often see him
feeling his face, as if trying to picture it to himself more clearly.
And if for a moment I should break down and let him know--ah, I can't
talk of it. Let us go to the library and see if he is there."
Her voice choked a little over this; then without more words they passed
out of the drawing-room again, and Evelyn felt as if something had
snapped in his brain. He almost wondered that they had not heard it.
As soon as the door had closed behind them he got swiftly and quietly
up from his seat and felt his way to the centre window, which opened on
to the terrace. He undid the shutters of it, stepped out, and closed it
behind him. He was hardly conscious of any motive in his action--he
certainly had no plan as to what he should do next. One overwhelming
fact had become a certainty to him, the fact contained in Madge's last
sentence, and he knew nothing more than that he must go away somewhere,
lose himself somehow, do anything rather than go back to her, to be
pitied, to be secretly shuddered at, to be a daily, hourly fear to her.
Indeed, he would never look upon their child.
* * * * *
It was a cold, windless evening, and the rain descended in a steady
downpour, hissing on to the shrubs, while the gutters of the house
gurgled and chuckled. But louder than the rain and more sonorous was the
great rush and roar of the river below, as it poured seawards, swollen
to a torrent of flood from these persistent rains. And something in the
strength and glory of that deep voice called to him; he must go down to
the river, for it had something to say to him. Yet it was not the river
that called to him, but in some mysterious way Tom Merivale, whose
jovial, deep voice was shouting to him to come with the authenticity of
actual hallucination. He hardly knew which it was; he knew only that he
could never go back to the house he had just left, and that something
called, with promise in its voice of life, real life, or of death and
deliverance, he knew not which.
He had no stick to guide him, but without hesitation he crossed the
gravel of the terrace, and felt his way along the wall of it to where a
stone vase stood at the top of the steps leading to the lawn below. A
purple clematis twined round it; he had made a study of it for a picture
last summer. Then came the twelve steps, the shuffling across the soaked
grass of the lawn, and a further flight of twelve steps into the rose
garden.
Public-domain text, read in full here on John Shaqi.
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