"Opera is really the best way of carrying on life," she said. "You
always sing, and at any crisis you sing a tune--a real tune. And if the
crisis is really frightful, you make it the end of the act, pull the
curtain down, and have some slight refreshment in privacy, and put on
another frock. Mr. Home, is that Mrs. Israels there--that woman bound in
green? How nice to have a husband who is a magnate of South African
affairs! You can even afford to be bound in green; it doesn't matter how
you look if you are rich enough."
Philip looked where she pointed; it certainly was Mrs. Israels.
"Yes, that is she," he said; "but I had no idea they were as rich as her
appearance indicates."
Lady Ellington gave a little gasp of horror.
"Good gracious, I forgot you were a magnate too!" she cried. "How rude
of me! But, really, you are so unlike Mrs. Israels."
Then she sank her voice to a confidential whisper.
"Dear Mr. Home," she said, with all the brilliance of unpremeditated
invention, "do talk shop with me for one minute. Ellington told me he
had got a little sum of money--you know the sort of thing, not big
enough to be of any real use--ah, you mustn't tell him I asked you. He
would be furious, quite furious. Yes, and if you could just casually
mention some investment which might eventually cause it to be of some
use----"
Philip--she could not see him, as he was sitting behind her, with his
arm on the back of her chair--could not help frowning. He was delighted
to be of any use to his friends, but sometimes, as now, his help was
asked in a sideways, hole-and-corner manner. Why shouldn't her husband
know? He did not like intrigue at any time; purposeless intrigue was
even more tiresome. But he expunged the frown from his voice anyhow when
he answered:
"Yes, I can certainly recommend you an investment or two," he said, "but
I can promise you no certainty. I can only say that I hold a stake in
them myself. I suppose, as you have this--this sum of money, you will
take up your shares--pay for them, I mean!"
She gave a little laugh of surprise.
"You are too delicious!" she said. "You mean we can buy them without
paying for them, like a bill?"
He laughed.
"Well, I don't recommend that," he said. "But it can be done. However,
that is not my concern, as I'm not a broker. I will send you a note in
the morning."
"Too good of you!" she said. "And you won't tell my husband I asked
you?"
"Certainly not," said he, "though I really can't imagine why not."
The unreal Philip--the one, that is to say, that Madge did not know--had
had the door slammed pretty smartly in his face, and when the real
Philip went to Evelyn's studio the next afternoon he had not attempted
to put in another appearance. Evelyn, when he arrived, was working at
the background of Madge's portrait, and he yelled to the other to keep
his eyes off it.
Public-domain text, read in full here on John Shaqi.
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