The Angel of the Gila: A Tale of ArizonaMarsland, Cora
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The Angel of the Gila: A Tale of Arizona
Marsland, Cora
Arizona -- Fiction; Love stories; Women teachers -- Fiction
They parted at the schoolhouse, Esther returning home, her heart
sorrowful. She thought of One who centuries before had sought the
mountains alone, the sorrow of a world upon His heart. She understood
it now, understood at least something of the agony of that sorrow. She
went to her room and prayed. When at last she rose from her knees, her
face looked drawn. The feeling as of a heavy weight upon her heart
increased. How helpless she seemed!
She opened her window wider, and looked up into the fathomless blue.
An overwhelming desire to save the tempted English girl had taken
possession of her. What should she do?
As she stood thus, she seemed conscious of a presence, and turned as
though expecting to see some one; but no one was there. She heard no
voice. Notwithstanding the evidence of her eyes, she could not shake
off the feeling of another presence than her own. She turned again
toward the window, and looked out into the crystal deeps. Then a
strange peace came upon her. It seemed a foretaste of heaven. She
threw herself on the lounge in her room, and fell into a refreshing
sleep.
But what of Carla Earle?
On leaving Esther, she walked slowly toward Keith's saloon. Suddenly,
she put her hand to her heart, staggered, and gave a sharp cry. Then
trembling in every limb, she turned abruptly, and walked rapidly
toward the canyon. She reached a place that seemed to have a
fascination for her. She looked at the dark pool and wrung her hands.
Her muscles gave way, and she sank on the bank, while great convulsive
sobs shook her frame. She tried to rise, but her limbs refused to obey
her will. Then it was that her agony of shame, and sorrow, and remorse
burst forth in pitiful cries to God to let her die. She removed her
hat and wrap, and crawled to the verge of the black pool. She
shuddered as she looked. Then a great horror-stricken cry came from
her white lips as she plunged into the seething waters.
There was the sound of a human voice in answer; and a moment later,
Patrick Murphy plunged after her, grasped and caught her floating
skirt, pulled her by it to shore, and lifted her up the bank. He began
to wring the water from her skirts.
"Lass, lass," he said, kindly, "what made yez do it? What's the matter
wid yez?"
Great sobs were his only answer. It seemed as though the girl must die
from the agony of her distress.
Then he lifted her in his arms, and carried her to where he had left
his horse. By the dim light, he had recognized Carla Earle, and he at
once concluded that Mark Clifton was responsible for her deed. His
first impulse, like all of his impulses, was a generous one. He
resolved to take her to his home, and become her protector. As he was
about to lift her to his horse's back, he discovered that she had
fainted. He succeeded in lifting her to the saddle, mounted behind
her, and rode directly to his home.
Public-domain text, read in full here on John Shaqi.
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