The Angel of the Gila: A Tale of ArizonaMarsland, Cora
General
The Angel of the Gila: A Tale of Arizona
Marsland, Cora
Arizona -- Fiction; Love stories; Women teachers -- Fiction
Those fortunate enough to enter the room sniffed the fragrance of
cedar and spruce. The burning mesquite wood in the fireplace snapped
and crackled, and the soft light from the huge candles idealized the
beauty of the tree and the woodsy decorations of the room. And there
was the teacher also, _their_ teacher (for did she not belong to
them?) young, lovely, doing all this for them! They noted every detail
of her simple gray toilet, even to the soft lace at her throat. There
was something exquisite about her that night as she stood before them
in the yellow candle-light. Her face was luminous. Kenneth Hastings
observed it, and said in a low tone to his friend John Clayton, "See
Miss Bright's face! I never saw anything more lovely. The spirit of
Christmas is in it."
John Clayton placed his hand on his friend's shoulder as he responded,
"Yes. It's all due to her beautiful, generous soul."
After several Christmas carols were sung, he told them Miss Bright
would now address them. There was an approving murmur.
Then she told them the old, old story, dearest story of childhood, of
the little child in the khan at Bethlehem, of the star, of the song of
the angels, the coming of the shepherds, and the search by the Wise
Men, as they came with their rich gifts of gold and frankincense and
myrrh, to lay them at the Christ-child's feet. She told the story
briefly and simply.
Among those who listened there that night were Mexicans and
half-breed Indians, Englishmen, Irishmen, Scotchmen and Americans.
There were Catholics and Protestants, Mormons, and men of no faith
whatever. There were four university-bred men; there were also men and
women of deepest ignorance; and there were many others between these
extremes.
While the voice of the teacher still held their attention, John
Harding and Kenneth Hastings put out the lights, and picture after
picture, illustrating the early life of Christ (all copies of famous
paintings), flashed upon the white screen. There were exclamations of
approval such as these:
"Did yez iver now?"
"The Holy Mother! Bless her!"
"Oh!--Oh!--Oh!" in faint whispers.
When Murillo's "Holy Family" appeared, there was a hush. As it
disappeared, some one asked for it again. After complying with this
request, the candles were relighted, and the distribution of gifts
began. There was a subdued hum of interest. These men and women,
throwing aside care and toil for an hour, were as pleased as children.
As gifts were passed, many began to realize what the extra meetings at
the schoolhouse had meant. The children had been making things, and
had made them well. They had been engaged in manual training, though
the teacher had not called it that. She was in advance of the age, and
was doing practical work in manual training years before the
pedagogues of the land had wakened to the necessity of training the
hand.
Public-domain text, read in full here on John Shaqi.
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