Barbers -- England -- London -- History -- Sources; Barbers' Company (London, England) -- History; Surgery -- England -- London -- History -- Sources
The picture is 10 feet 2 inches long by 5 feet 11 inches high, painted
on oak panel and contains nineteen figures; it represents a room in
the palace (said to have been Bridewell), which is hung with beautiful
tapestry and appears to have been gilded; the King is seated on a
throne, his age apparently about fifty, the complexion florid, the
hair sandy, the eyes small but animated and restless; the expression
on the countenance is impatience, and he seems thrusting the document
hastily into the hand of Thomas Vicary, who receives it kneeling, on
his left; the face altogether might be pronounced handsome, were it
not for the low forehead and contracted eyebrows; he has on his left
thumb a signet ring, and other rings on the first and fourth fingers
of his right hand with which he holds a sword of state resting on his
knee; on his head is a jewelled crown; on his left leg the garter, and
round his neck the collar of the Order; the mantle is short and of
crimson velvet; all these ornaments are most beautifully executed and
are as fine as miniature painting; every hair of his head is distinct,
and the texture of his robe is finely given; his impatience seems to
have warmed him, and the rising colour flushing over his face is most
admirably painted. On the King’s right are three grave and closely
shaved personages on their knees. The first is Dr. John Chambre, one
of the Royal Physicians, he is represented in a skull cap and furred
gown, the sleeves very large and in which his hands are enwrapped; from
the expression of his countenance it would seem that he was anything
but pleased with the provisions of the Act, as the face has a sullen
and discontented look; next to him is the celebrated Dr. William Butts,
also one of Henry’s Physicians, and behind him is Thomas Alsop, the
Royal Apothecary, his hair is long and lank, and features coarse and
hard.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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