Mate selection -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“Thus I came to know the people in this play through what happened to
them, and I understood what they must be to receive the particular
guerdon that you are seeing come to them. Nor has it seemed to me
that I caused these events of the play, nor created the people. It
is an unending marvel to us who write how wilful our puppets become,
how we stand aside and watch them make or mar their lives in spite
of us, precisely as do our other friends who are clothed in flesh. I
have had help in writing this play for which I shall be grateful all
my life. It grew in a quiet room in Cleavedge, and its writing was a
never-to-be-forgotten joy; a present joy that abides is mine, though
the play is done. Whatever comes to me later, I can never write another
first play, nor lose the happiness this one brought to me, crowned
to-night by your great kindness to it.
“You have shown me that I have not quite failed to share the dream with
you. You approve ‛The Guerdon.’ With all my heart I thank you. That is
my guerdon. I am a happy man to-night. I am grateful to the men and
women who have embodied the people in the play as I knew them, but as
you could not know them but for this acting, since outside my brain
and that quiet room in Cleavedge these play-people had never ventured.
Out of a grateful heart I thank you all.”
Anne shrank farther back as she listened to Richard talking here as
simply, as quietly as he had talked to her in that quiet room. His
allusion to it brought it before her so vividly that the theatre, the
audience were blotted out. She was back in that room, the bees humming
in the beautiful garden, their hum and the scent of the flowers they
were rifling coming in through the windows, open to the light breeze.
She knew that Richard was speaking to _her_, telling _her_
not to grieve, to remember that he was sincerely glad to carry with
him the memory of the days that had left him only memory. Kit, seeing
Anne’s face, came forward to take her chair and give her his place, a
little back of his aunt.
“Don’t look like that, honey!” he whispered. “People will notice, and
hang and quarter me! There’s always someone about who knows too much!
I don’t care if Latham did write ‛The Guerdon!’ ‛But notta Carlotta! I
gotta Carlotta!’ However you pity him, you can’t marry us both, dear!
Latham is happy! That’s true. Look at him!”
Richard was acknowledging the applause of his modest speech; his smile
was bright, his face shining. Ted Wilberforce was clapping with all his
might over little Anne’s head, and little Anne was waving both arms
over the rail of the box, leaning out of it dangerously, and shouting
shrilly:
“You dear, you dear, you dear!” to the delight of everyone within range
of her clear, childish voice.
Miss Carrington fell back in her chair after her emphatic applause of
Richard. She looked at Kit proudly, amusement and satisfaction in her
eyes.
Public-domain text, read in full here on John Shaqi.
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