Mate selection -- Fiction; United States -- Social life and customs -- 20th century -- Fiction
“You do not feel too perturbed to work to-day?” Richard suggested when
Anne followed him to the living room a few minutes later. There was no
note of regret in his voice now.
“Dear me, no!” laughed Anne. “I feel more like work than usual; there
is a load rolled off, isn’t there?”
Anne had set down her problem in accurate figures, and had solved it.
There was nothing in the way of her making Richard as happy as she
could make him, except selfishness. She wanted the love that had not
come to her, which was to her the ideal approach to marriage. This
ideal was the true one, but her case was altered by circumstances.
First of all, there was no one whom she loved better than Richard
Latham. If there were, she could not have been untrue to that love,
whether or not it led to joy. Richard Latham was not only a man to be
honoured for his genius, pitied for his blindness, but he was a man to
be loved for himself. Rarely would any woman find in one person the
qualities which he united in himself; the manliness with the delicacy;
the tenderness with the courage; the unbending austerity with the
unfailing mercy. He could love a woman as few men could love one; he
would idealize her while protecting her; serve her in all humility,
yet expect from her all the goodness and strength that was in her.
Anne had decided that if Richard really were giving her this power
and wanted her, it was not for her to refuse his wealth, nor further
impoverish one who had been so bereft. Having reached her decision, she
went serenely on her way, characteristically debating it no more; ready
to give if the demand were made, desiring nothing except not to fail
either Richard or herself.
This morning Richard resumed the dictation of his third act; Anne, pen
in hand, set down the cabalistic signs which Richard had once accused
of signifying more than he could produce.
Suddenly she paused, her pen suspended, a shocked expression on her
face.
“But, Mr. Latham, why are you saying this?” she cried. “What are you
doing with this act? This dialogue? You are turning it all wrong!”
“No,” said Richard. “I am not going to follow my first plan. Our
friend, the hero, is not to be made happy, after all! I am separating
him from his beloved. They are not to marry, as we meant them to. It
won’t affect the two preceding acts; it will merely make another play
of it, perhaps a sadder one, but not a weaker one--better, I think.
Don’t you approve?”
Public-domain text, read in full here on John Shaqi.
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