The Antiquarian Magazine & Bibliographer; Vol. 4, July-Dec 1884Various
History
The Antiquarian Magazine & Bibliographer; Vol. 4, July-Dec 1884
Various
Archaeology -- Periodicals; Great Britain -- Antiquities -- Periodicals
It is unnecessary to go here over the ground occupied by our author in
his preliminary _brochure_, and to give the history of the MSS. in
question. Suffice it to say that at an early time they were scattered
throughout the principal collections in Europe, and that the fears
entertained by Leonardo da Vinci himself respecting the non-publication
of his numerous treatises on art and on science seemed likely to be
fulfilled. No sooner had death removed Francisco Melzi, Leonardo’s
favourite pupil and friend, than the invaluable codices entrusted to his
care were dispersed and mutilated; as even one single page would fetch a
considerable sum of money, the MSS. were broken up into small
fragments, so as to satisfy the curiosity of the greatest possible
number of amateurs; and in order to obtain any given work in its
complete form, it would be necessary to seek the elements of that work
at Milan, Windsor, and Kensington. Numerous treatises have thus been
lost or are perhaps buried under the dust of public and private
libraries, and the materials now at our disposal represent only a small
part of the whole collection, such as Francisco Melzi originally
possessed it, and such as in all probability the artistic world will not
see it again.
By a piece of singular good luck the “Institut de France” possesses
twelve volumes of Leonardo da Vinci’s writings; they were indexed
towards the end of the last century by an Italian _savant_, named
Venturi, who had examined them carefully, and had even published some
extracts from them; these volumes are lettered A--M, and have the great
merit of giving the consecutive views of the author on the subjects
which he had studied. This point is of the highest importance in the
case of a man such as Leonardo da Vinci, who lost no opportunity of
showing the interdependence of the several branches of science, and the
light they all throw upon one another. M. Ravaisson-Mollien has
accordingly undertaken the arduous task of editing the entire works of
Leonardo da Vinci, so far at least as they are known to exist, and we
earnestly trust that he may be able to accomplish his rather ambitious
design.
Public-domain text, read in full here on John Shaqi.
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