The last description we have to allude to here is that of a salt-cellar, which appears to have been made for Frederigo II., Duke of Mantua, and which was a work of high art. M. Plon gives us the correspondence relating to it, correspondence preserved in the archives of the Gonzaga family, and which has been copied there by M. Armand Baschet, who has so often and in so remarkable a manner contributed to our knowledge of the social, political, and intellectual history of Italy during the sixteenth century. In conclusion, this elegant _brochure_ is an important and necessary appendix to the volume we reviewed last year; it may be regarded as not only a supplement to M. Plon’s _catalogue raisonné_ of Benvenuto Cellini’s work, but a memoir of Bianca Capella, and a graphic though far from edifying sketch of Italian life at the time of the Reformation. _English Etchings_, Parts xli. and xlii. (D. Bogue, 27, King William-street, W.C.), which are now before us, are fully up to the standard of the parts previously published. Among the plates calling for special mention in these pages is an interesting addition to the series of etchings of Old London, “Covent Garden Market,” by Mr. A. W. Williams. Orleton Church, Herefordshire, a spirited etching by Mr. Oliver Baker, shows the fine Jacobean pulpit of oak, covered with elaborate carving, and part of the chancel arch with the head of a bishop in mitre and amice as a drip-stone termination. Obituary Memoirs. “Emori nolo; sed me esse mortuum nihil æstimo.”--_Epicharmus._ THE REV. HUGH PIGOT, Rector of Stretham, author of “Suffolk Superstitions” and “The History of Hadleigh,” died in October. MR. WILLIAM PETTIT GRIFFITH, architect, died in October. The son of an architect of repute, he was born in 1815, and, adopting his father’s profession, followed it for more than half a century. Devoting much of his leisure to archæology, he became a member of several societies of antiquaries, and wrote “Grecian Architecture,” “A Natural System of Architecture,” “Mediæval Architecture,” “Ancient and Gothic Churches,” besides many papers published in archæological journals and magazines, especially the serial of the Surrey Archæological Society. He designed various schools and other minor public buildings, and restored St. John’s Gate, Clerkenwell, and parts of the church of St. Sepulchre, Holborn.