Antiquarians -- Fiction; Beggars -- Fiction; Domestic fiction; Fathers and daughters -- Fiction; Love stories; Scotland -- Fiction
Lovel was much entertained by a declaration not very consistent with
the eagerness wherewith his friend seemed to catch at an opportunity
of coming before the public, though in a manner which rather resembled
stepping up behind a carriage than getting into one. The Antiquary was
indeed uncommonly delighted; for, like many other men who spend their
lives in obscure literary research, he had a secret ambition to
appear in print, which was checked by cold fits of diffidence, fear of
criticism, and habits of indolence and procrastination. “But,” thought
he, “I may, like a second Teucer, discharge my shafts from behind
the shield of my ally; and, admit that he should not prove to be a
first-rate poet, I am in no shape answerable for his deficiencies, and
the good notes may very probably help off an indifferent text. But he
is--he must be a good poet; he has the real Parnassian abstraction--seldom
answers a question till it is twice repeated--drinks his tea scalding,
and eats without knowing what he is putting into his mouth. This is
the real aestus, the awen of the Welsh bards, the divinus afflatus that
transports the poet beyond the limits of sublunary things. His visions,
too, are very symptomatical of poetic fury--I must recollect to send
Caxon to see he puts out his candle to-night--poets and visionaries are
apt to be negligent in that respect.” Then, turning to his companion, he
expressed himself aloud in continuation--
“Yes, my dear Lovel, you shall have full notes; and, indeed, think
we may introduce the whole of the Essay on Castrametation into the
appendix--it will give great value to the work. Then we will revive the
good old forms so disgracefully neglected in modern times. You shall
invoke the Muse--and certainly she ought to be propitious to an author
who, in an apostatizing age, adheres with the faith of Abdiel to the
ancient form of adoration.--Then we must have a vision--in which the
Genius of Caledonia shall appear to Galgacus, and show him a procession
of the real Scottish monarchs:--and in the notes I will have a hit at
Boethius--No; I must not touch that topic, now that Sir Arthur is likely
to have vexation enough besides--but I’ll annihilate Ossian, Macpherson,
and Mac-Cribb.”
“But we must consider the expense of publication,” said Lovel, willing
to try whether this hint would fall like cold water on the blazing zeal
of his self-elected coadjutor.
“Expense!” said Mr. Oldbuck, pausing, and mechanically fumbling in his
pocket--“that is true;--I would wish to do something--but you would not
like to publish by subscription?”
“By no means,” answered Lovel.
“No, no!” gladly acquiesced the Antiquary--“it is not respectable. I’ll
tell you what: I believe I know a bookseller who has a value for my
opinion, and will risk print and paper, and I will get as many copies
sold for you as I can.”
“O, I am no mercenary author,” answered Lovel, smiling; “I only wish to
be out of risk of loss.”
Public-domain text, read in full here on John Shaqi.
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