The Antiquities of Constantinople: With a Description of Its Situation, the Conveniencies of Its Port, Its Publick Buildings, the Statuary, Sculpture, Architecture, and Other Curiosities of That CityGilles, Pierre
History
The Antiquities of Constantinople: With a Description of Its Situation, the Conveniencies of Its Port, Its Publick Buildings, the Statuary, Sculpture, Architecture, and Other Curiosities of That City
Gilles, Pierre
Istanbul (Turkey) -- Antiquities; Istanbul (Turkey) -- Description and travel; Turkey -- Antiquities
The _Roman_ Conquerours, who were of an with avaritious Temper, even
to a Proverb, practis’d a new Method of Rapine and Plunder, entirely
unknown to those who had taken the City before them. For breaking open
by Night the Royal Sepulchres in the great Grove of the _Heroum_, they
sacrilegiously rifled the Corps of those Blessed Disciples of _Jesus
Christ_, and carry’d off whatsoever was valuable in Gold, Rings, and
Jewels, which they could find in these Repositories of the Dead. But
coming to the Body of the Emperor _Justinian_, and finding his Coffin
untouch’d, tho’ it was publickly known for some Years that it was nobly
enrich’d, aw’d with in Fear and Admiration, they forbore to disturb the
Imperial Ashes. And as they express’d no Reverence and Regard to the
Dead, so were they equally Savage and Inhuman in their Treatment of
the Living; even to those who were their own Countreymen. They spar’d
neither the House of GOD, nor his Ministers, but stripped the great
Church (_Sancta Sophia_) of all its fine Ornaments and Hangings, made
of the richest Brocades, of inestimable Value: But still continuing
unsatiable in their Avarice, they no sooner cast their Eyes upon the
brazen Statues, than they order’d them to be melted down. The fine
_Statue of Juno in Brass_, which stood in the _Forum_ of _Constantine_,
they chopt in Pieces, and threw it into the Forge. The Head of this
Statue was so large, that four Yoke of Oxen could scarce drag it into
the Palace. Upon the _Base_ of it was cut, in _Basso Relievo_, the
Figure of _Paris_, _Venus_ standing by him, presenting her with the
Apple of Discord. The noble _Quadrilateral Pillar_, supported with
several Ranges of Pillars, and which by its Height overlook’d the
whole City, and was both the Wonder and the Delight of the curious
Spectator, shared the same Fate. This lofty Column was adorn’d with
rural Representations of all kinds of singing Birds, Folds of Cattle,
milking Pails, of Sheep bleating, and of Lambs frisking and playing,
_&c._ There was also engrav’d upon it a View of the Sea and Sea-Gods;
some of whom were catching Fish with their Hands; others ordering
their Nets, then diving to the Bottom; whilst some in a wanton
Manner, were throwing Balls at one another. This Pillar supported a
_Pyramid_ at the Top of it, upon which was plac’d the _Statue of a
Woman_, which turn’d about with the Wind, and was therefore called
_Anemodes_. This excellent Piece was also melted down for Coinage, as
was also an _Equestrian_ Statue, fixed upon a Quadrilateral _Pedestal_
in the _Taurus_. This was a bold Figure, of an heroic Countenance,
and surprizing Stature. It was reported by some, that he was one
of the Spies, who was sent by _Joshua_ the Son of _Nun_. With one
Hand he pointed Eastward, with the other to the West, and the Coast
of _Gabeon_. But this Statue was generally believed to represent
_Bellerophon_, (born and brought up at _Peloponnesus_) sitting upon
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