Criminals -- Fiction; New York (State) -- Social life and customs -- Fiction
“If that's phwat they're in a clinch about, then I'm for Tiddy,”
declared the Wop. “Ain't it him, too, that says th' only difference
bechune a rich man an' a poor man is at th' bank? More power to
him!--why not? Would this beer be annythin' but beer, if it came through
a spigot av go-o-old, from a keg av silver, an' th' bar-boy had used a
dia-mond-shtudded bung-starter in tappin' it?”
Over at Slimmy's table, where the weaker sex predominated, the talk was
along lighter lines. Mollie Squint spoke in condemnation of those harem
skirts at Coney Island.
“What do youse think,” she asked, “of them she-scouts showin' up at Luna
Park in harem skirts? Coarse work that--very coarse. It goes to prove
how some frails ain't more'n half baked.”
“Why does a dame go to th' front in such togs?” asked Slimmy
disgustedly.
“Because she's stuck on herself,” said the Nailer, who had drifted over
from old Jimmy and the Wop, where the talk was growing too heavy for
him; “an' besides, it's an easy way of gettin' th' spot-light. Take
anything like this harem skirt stunt, an' oodles of crazy Mollies'll
fall for it. Youse can't hand it out too raw! So if it's goin' to stir
things up, an' draw attention, they're Johnny-at-the-rat-hole every
time!”
“We ladies,” remarked Jew Yetta, like a complacent Portia giving
judgment, “certainly do like to be present at th' ball game! An' if we
can't beat th' gate--can't heel in--we'll climb th' fence. Likewise,
we're right there whenever it's th' latest thing. Especially, if we've
got a face that'd stop traffic in th' street. Do youse remember”--this
to Anna Gold--“when bicycles is new, how a lot of old iron-bound
fairies, wit' maps that'd give youse a fit of sickness, never wastes a
moment in wheelin' to th' front?”
“Do I remember when bicycles is new?” retorted Anna Gold, resentfully.
“How old do youse think I be?”
“Th' Nailer's right,” said Slimmy, cutting skilfully in with a view to
keeping the peace. “Th' reason why them dames breaks in on bicycles,
an' other new deals, is because it attracts attention; an' attractin'
attention is their notion of bein' great. Which shows that they don't
know th' difference between bein' famous an' bein' notorious.”
Slimmy, having thus declared himself, looked as wise as a treeful of
owls.
“Well, w'at is th' difference?” demanded Anna Gold.
“What's th' difference between fame an' notoriety?” repeated Slimmy,
brow lofty, manner high. “It's th' difference, Goldie, between havin'
your picture took at th' joint of a respectable photographer, an'
bein' mugged be th' coppers at th' Central Office. As to harem skirts,
however, I'm like Mollie there. Gen'rally speakin', I strings wit' th'
loidies; but when they springs a make-up like them harem skirts, I pack
in. Harem skirts is where I get off.”
Public-domain text, read in full here on John Shaqi.
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