Criminals -- Fiction; New York (State) -- Social life and customs -- Fiction
“This vice and virtue thing makes me tired,” he said; “there's too much
of it. Also, there's plenty to be said both ways. Th' big trouble wit'
them anti-vice dubs is that they're all th' time connin' themselves.
They feel moral when it's merely dyspepsia; they think they're virchous
when they're only sick. In th' end, too, virchoo always falls down.
Virchoo never puts a real crimp in vice yet. Virchoo's a sprinter; an'
for one hundred yards it makes vice look like a crab. But vice is a
stayer, an' in th' Marathon of events it romps in winner. Virchoo likes
a rockin'-chair; vice puts in most of its time on its feet. Virchoo
belongs to th' Union; it's for th' eight hour day, with holidays an'
Saturday afternoons off. Vice is always willin' to break th' wage
schedule, work overtime or do anythin' else to oblige. Virchoo wants two
months in th' country every summer; vice never asks for a vacation since
th' world begins.”
The Wop loudly cheered old Jimmy's views. Sirocco, however, continued
gloomy.
“For,” said the latter with a sigh, “I can feel it that them anti-vice
guys has put th' high-sign on me. They'll never rest now until they've
got me number.”
Pretty Agnes, on comin' in, had taken a corner table by herself. She
heard, but did not join in the talk. She even left untouched the glass
of beer, which, at a word from old Jimmy, a waiter had placed before
her. Silent and sad, with an expression which spoke of trouble present
or trouble on its way, she sat staring into smoky space.
“W'at's wrong wit' her?” whispered Slimmy, who, high-strung and
sensitive, could be worked upon by another's troubles.
“Why don't youse ask her?” said Big Kitty.
Slimmy shook a doubtful head. “She ain't got no use for me,” he
explained, “since that trouble wit' Indian Louie.”
“She sure couldn't expect you an' th' Grabber,” remarked Anna Gold,
quite scandalized at the thought of such unfairness, “to lay dead, while
Louie does you out of all that dough!”
“It's th' rent,” said Jew Yetta. She had been canvassing Pretty
Agnes out of the corners of her eyes. “I know that look from me own
experience. She can't come across for the flat, an' some bum of an agent
has handed her a notice.”
“There's nothin' in that,” declared Mollie Squint. “She could touch me
for th' rent, an' she's hep to it.” Then, in reproof of the questioning
looks of Anna Gold: “Sure; both me an' Agnes was stuck on Indian Louie,
but w'at of that? Louie's gone; an' besides, I never blames her. It's me
who's th' butt-in; Agnes sees Louie first.”
“Youse 're wrong, Yetta,” spoke up the Nailer, confidently. “Agnes ain't
worryin' about cush. There ain't a better producer anywhere than Sammy
Hart. No one ever sees Sammy wit'out a roll.”
The Nailer lounged across to Pretty Agnes; Mollie Squint, whose heart
was kindly, followed him.
“W'y don't youse lap up your suds?” queried the Nailer, pointing to the
beer. Without waiting for a return, he continued, “Where's Sammy?”
Public-domain text, read in full here on John Shaqi.
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