The Apple-Tree Table, and Other SketchesMelville, Herman
General
The Apple-Tree Table, and Other Sketches
Melville, Herman
American fiction -- 19th century; Short stories, American
Winding along at the bottom of the gorge is a dangerously narrow
wheel-road, occupying the bed of a former torrent. Following this road
to its highest point, you stand as within a Dantean gateway. From
the steepness of the walls here, their strangely ebon hue, and the
sudden contraction of the gorge, this particular point is called the
Black Notch. The ravine now expandingly descends into a great, purple,
hopper-shaped hollow, far sunk among many Plutonian, shaggy-wooded
mountains. By the country people this hollow is called the Devil's
Dungeon. Sounds of torrents fall on all sides upon the ear. These rapid
waters unite at last in one turbid, brick-colored stream, boiling
through a flume among enormous boulders. They call this strange-colored
torrent Blood River. Gaining a dark precipice it wheels suddenly to
the west, and makes one maniac spring of sixty feet into the arms of a
stunted wood of gray-haired pines, between which it thence eddies on
its further way down to the invisible lowlands.
Conspicuously crowning a rocky bluff high to one side, at the
cataract's verge, is the ruin of an old saw-mill, built in those
primitive times when vast pines and hemlocks superabounded throughout
the neighboring region. The black-mossed bulk of those immense,
rough-hewn, and spike-knotted logs, here and there tumbled all
together, in long abandonment and decay, or left in solitary, perilous
projection over the cataract's gloomy brink, impart to this rude wooden
ruin not only much of the aspect of one of rough-quarried stone, but
also a sort of feudal, Rhineland, and Thurmberg look, derived from the
pinnacled wildness of the neighborhood scenery.
Not far from the bottom of the Dungeon stands a large whitewashed
building, relieved, like some great white sepulchre, against the
sullen background of mountain-side firs, and other hardy evergreens,
inaccessibly rising in grim terraces for some two thousand feet.
The building is a paper-mill.
Public-domain text, read in full here on John Shaqi.
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