The Apple-Tree Table, and Other SketchesMelville, Herman
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The Apple-Tree Table, and Other Sketches
Melville, Herman
American fiction -- 19th century; Short stories, American
With might and main, quitting my seat and robes, and standing backward,
with one foot braced against the dashboard, I rasped and churned
the bit, and stopped him just in time to avoid collision, at a turn,
with the bleak nozzle of a rock, couchant like a lion in the way--a
road-side rock.
At first I could not discover the paper-mill.
The whole hollow gleamed with the white, except, here and there, where
a pinnacle of granite showed one wind-swept angle bare. The mountains
stood pinned in shrouds--a pass of Alpine corpses. Where stands the
mill? Suddenly a whirling, humming sound broke upon my ear. I looked,
and there, like an arrested avalanche, lay the large whitewashed
factory. It was subordinately surrounded by a cluster of other and
smaller buildings, some of which, from their cheap, blank air, great
length, gregarious windows, and comfortless expression, no doubt were
boarding-houses of the operatives. A snow-white hamlet amidst the
snows. Various rude, irregular squares and courts resulted from the
somewhat picturesque clusterings of these buildings, owing to the
broken, rocky nature of the ground, which forbade all method in their
relative arrangement. Several narrow lanes and alleys, too, partly
blocked with snow fallen from the roof, cut up the hamlet in all
directions.
When, turning from the traveled highway, jingling with bells of
numerous farmers--who, availing themselves of the fine sleighing, were
dragging their wood to market--and frequently diversified with swift
cutters dashing from inn to inn of the scattered villages--when, I
say, turning from that bustling main-road, I by degrees wound into
the Mad Maid's Bellows'-pipe, and saw the grim Black Notch beyond,
then something latent, as well as something obvious in the time and
scene, strangely brought back to my mind my first sight of dark and
grimy Temple Bar. And when Black, my horse, went darting through the
Notch, perilously grazing its rocky wall, I remembered being in a
runaway London omnibus, which in much the same sort of style, though
by no means at an equal rate, dashed through the ancient arch of Wren.
Though the two objects did by no means correspond, yet this partial
inadequacy but served to tinge the similitude not less with the
vividness than the disorder of a dream. So that, when upon reining up
at the protruding rock I at last caught sight of the quaint groupings
of the factory-buildings, and with the traveled highway and the Notch
behind, found myself all alone, silently and privily stealing through
deep-cloven passages into this sequestered spot, and saw the long,
high-gabled main factory edifice, with a rude tower--for hoisting
heavy boxes--at one end, standing among its crowded outbuildings and
boarding-houses, as the Temple Church amidst the surrounding offices
and dormitories, and when the marvelous retirement of this mysterious
mountain nook fastened its whole spell upon me, then, what memory
Public-domain text, read in full here on John Shaqi.
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