The Apple-Tree Table, and Other SketchesMelville, Herman
General
The Apple-Tree Table, and Other Sketches
Melville, Herman
American fiction -- 19th century; Short stories, American
For a moment a curious emotion filled me, not wholly unlike that which
one might experience at the fulfillment of some mysterious prophecy.
But how absurd, thought I again; the thing is a mere machine, the
essence of which is unvarying punctuality and precision.
Previously absorbed by the wheels and cylinders, my attention was now
directed to a sad-looking woman standing by.
"That is rather an elderly person so silently tending the machine-end
here. She would not seem wholly used to it either."
"Oh," knowingly whispered Cupid, through the din, "she only came last
week. She was a nurse formerly. But the business is poor in these
parts, and she's left it. But look at the paper she is piling there."
"Ay, foolscap," handling the piles of moist, warm sheets, which
continually were being delivered into the woman's waiting hands. "Don't
you turn out anything but foolscap at this machine?"
"Oh, sometimes, but not often, we turn out finer work--cream-laid and
royal sheets, we call them. But foolscap being in chief demand we turn
out foolscap most."
It was very curious. Looking at that blank paper continually dropping,
dropping, dropping, my mind ran on in wonderings of those strange uses
to which those thousand sheets eventually would be put. All sorts of
writings would be writ on those now vacant things--sermons, lawyers'
briefs, physicians' prescriptions, love-letters, marriage certificates,
bills of divorce, registers of births, death-warrants, and so on,
without end. Then, recurring back to them as they here lay all blank,
I could not but bethink me of that celebrated comparison of John Locke,
who, in demonstration of his theory that man had no innate ideas,
compared the human mind at birth to a sheet of blank paper, something
destined to be scribbled on, but what sort of characters no soul might
tell.
Pacing slowly to and fro along the involved machine, still humming
with its play, I was struck as well by the inevitability as the
evolvement-power in all its motions.
"Does that thin cobweb there," said I, pointing to the sheet in its
more imperfect stage, "does that never tear or break? It is marvelous
fragile, and yet this machine it passes through is so mighty."
"It never is known to tear a hair's point."
"Does it never stop--get clogged?"
"No. It _must_ go. The machinery makes it go just _so_; just that very
way, and at that very pace you there plainly _see_ it go. The pulp
can't help going."
Public-domain text, read in full here on John Shaqi.
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