Arabs -- Folklore; Fairy tales -- Arab countries; Tales -- Arab countries
Bedreddin Hassan, awaking at this instant, was much astonished to
find himself in a city he was not acquainted with: and was going to
inquire where he was, when the genius gave him a gentle tap on the
shoulder, and warned him not to speak a word; then putting a torch
in his hand, “Go;” said he to him, “and mix with the people
whom you see at the door of that bath, and walk with them till you
come to a hall, where a wedding is going to be celebrated. You will
easily distinguish the bridegroom, by his being deformed. Place
yourself on his right hand, when you enter; and open now and then
the purse of sequins, which you have in your bosom, and distribute
them among the musicians and dancers as you go along. When you have
reached the hall, do not fail to give some also to the female
slaves, whom you will see about the bride, when they approach you.
But remember, whenever you put your hand in your purse, draw it out
full of sequins, and beware of sparing them. Do exactly as I have
told you, with confidence, and be not surprised at any thing; fear
no one, and trust for the consequence in the superior power of one
who will dispose of every thing as he thinks best for you.”
The young Bedreddin, well instructed in what he was to do, advanced
towards the door of the bath. The first thing he did was to light
his torch by that of a slave; then, mixing with the rest, as if he
had belonged to a grandee of Cairo, he walked with them, and
accompanied the groom, who came out of the bath, and mounted one of
the horses from the sultan’s stable.
Bedreddin, finding himself near the musicians and dancers, who
preceded the hunchback, frequently drew from his purse handfuls of
sequins, which he distributed amongst them. As he conferred these
bounties with admirable grace, and the most obliging air, all those
who received them cast their eyes on him; and no sooner had they
seen him than they were rivetted on him, so great was his beauty and
the symmetry of his person.
They at length arrived at the gates of Schemseddin Mohammed’s
palace, who little thought his nephew was so near him. Some of the
officers, to prevent confusion, stopped all the slaves who carried
torches, and would not suffer them to enter. They also wanted to
exclude Bedreddin Hassan, but the musicians and dancers, for whom
the doors were open, declared they would not proceed, if he were not
allowed to accompany them. “He is not one of the slaves,” said
they, “you have only to look at him to be fully convinced of that.
He must be some young stranger, who wishes from curiosity to see the
ceremonies observed at weddings in this city.” Saying this, they
placed him in the midst of them, and made him go in, notwithstanding
the officers. They took from him his torch; and after having
introduced him into the hall, they placed him on the right hand of
the groom, who was seated on a magnificent throne, next to the
daughter of the vizier.
Public-domain text, read in full here on John Shaqi.
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