If little importance be due to the association of Weland's name with the working in iron, not very much more is to be ascribed to the no less frequent depiction of him as a cunning jeweller and goldsmith. Nevertheless, the circumstance is worthy of notice in passing, since it is not impossible that the working in gold may have preceded even the age of bronze, and in reality have belonged, as already hinted, to the Stone Period. If metal could be found capable of being wrought and fashioned without smelting or moulding, its use was perfectly compatible with the simple arts of the Stone Period. Of such use masses of native gold, such as have been often found both in the Old and the New World, are peculiarly susceptible; and some of the examples of Scottish gold personal ornaments fully correspond with the probable results of such an anticipatory use of the metals. One very remarkable example, more particularly referred to hereafter, occurs in a pair of armillæ of pure gold, found in an urn of the rudest and most artless construction in a cist in Banffshire. They are merely hammered into rounded bars and then bent to fit the arm, and they retain the rough marks of the tool, which it is more easy to imagine one of stone than any more delicate or artificial implement. It is not impossible that it may be owing to some faint traditional remembrance of this primitive origin of the working of metals, that the oldest notices of Weland represent him chiefly as the cunning goldsmith, as in the fifth stanza of the Vœlundar Quida of the Edda:-- "Vœlund alone remained in Ulfdale, He wrought red gold, with jewells rare, Securing on a withy rings many." So it is in all the earliest existing forms of this ancient myth, the working in iron is only superadded to the skill of the famous goldsmith.