The brooches are generally round, and of silver, if the wearer be in tolerable circumstances; if poor, the brooches, being either circular or triangular, are of baser metal and modern date. The first kind has been worn time immemorial even by the ladies. The married women bind up their hair with a large pin into a knot on the crown of their heads."[267] The same writer thus describes the practice of every necessary art and trade by the simple islanders:--"It is very common to find men who are tailors, shoemakers, stocking-weavers, coopers, carpenters, and sawyers of timber. Some of them employ the plane, the saw, the adze, the wimble, and they even groove the deals for chests. They make hooks for fishing, cast metal buckles, brooches, and rings for their favourite females."[268] They were, in fact, at that very recent period practising nearly the same arts as we may trace out at a time when the Phœnician traders were still seeking the harbours of Cornwall, and exchanging the manufactures of Carthage, and perhaps of Tyre, for the products of the English mines. A no less unquestionable proof of the unchanging character of the Celtic arts is to be found in the fact that the ornamentation, not only on many of the old Highland brooches and drinking horns, but invariably employed in decorating the handle of the Highland dirk and knife, down to the last fatal struggle of the clans on Culloden Moor which abruptly closed the tradition of many centuries, is exactly the same interlaced knotwork which we are familiar with on the most ancient class of sculptured standing stones in Scotland. The annexed figure of a Highland powder-horn of the seventeenth century is from one in the possession of Mr. James Drummond, bearing inscribed on it the initials and date, G. R. 1685. The triple knot, so common on early Scottish and Irish relics that it has been supposed to have been used as a symbol of the Trinity, is no less frequently introduced on the Highland targets and brooches of last century, and is shewn along with other interlaced ornaments, on an example of the latter introduced in a subsequent chapter. [Illustration: _Engraved by Wm. Douglas, from Drawings in possession of the Soc. Antiq. Scot._ THE GLENLYON BROOCH.] [Illustration]