This amphitheatre has been shamefully used in the Middle Ages, the arena having been made into a cabbage garden, with a deep bed of earth upon it. The upper parts of the walls had probably been damaged by the great earthquake, and in order to get rid of the numerous broken columns and capitals lying about, the gardeners threw them down the openings into the vaults below, where they are stacked up under the arches like so many mere blocks of stone, to put them out of the way. Fortunately it is owing probably to the vaults having thus been made use of, that they have been so well preserved, and also because there was not much call for building-stone in the neighbourhood, as the ruins of the villa and the temples had supplied as much as was wanted. VERONA. In many of the Italian cities, as well as in Gaul and Britain, the amphitheatre was made of earth and wood only, the seats cut out in banks on the slope of a hill or of an _agger_, in districts where stone was scarce. In the Circus Maximus also the seats for the _plebs_ on the Aventine seem to have been made in that manner, the stone galleries were on the Palatine only. At VERONA, as in many other instances, the outer wall has been almost entirely destroyed; two bays, or four arches of it only remain, but these are sufficient to shew the plan, and that it was three storeys high, the Tuscan order of columns being used throughout. The upper storey seems to have been for the passage round the seats over the corridors; the two lower ones with the seats remain nearly perfect, forming a fine double arcade on the outer side without columns, now made visible by the demolition of the outer corridor and wall. In its present state it is one of the finest buildings of its class. There seems to be no historical evidence of its date; in Murray’s Handbook it is said to be of the time of the Flavian Emperors, but no authority for this is given, and it is not probable. The measurements given by Maffei do not _quite_ agree with those taken by Alvino[194], but the variations are not great; and as one is taken in Neapolitan palms of ten inches, the other in Veronese feet, the apparent variation probably arose only from the different mode of calculating. None of them agree with those in Murray’s Handbooks, which are taken from the Lectures of Mr. Woods. The general proportions may be judged of by the number of persons that each would contain; Publius Victor states that the Colosseum had 87,000 places, and Maffei states that this at Verona had 77,000, this would make it one-eighth less. The variations are not of much importance. The outer wall was partly destroyed by an earthquake in 1184, and the stones were then used as building material, as in other places, but this was soon stopped. The unusually perfect state of the seats arises from the care taken of them in the Middle Ages, very much to the credit of the inhabitants at that period. As early as 1228, it was agreed that each _podesta_ (or mayor)