The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the ColosseumParker, John Henry
History
The archæology of Rome, Part 7 : $b The Flavian amphitheatre, commonly called the Colosseum
Parker, John Henry
Rome -- Antiquities
The meaning of the word Scaurus is “club-footed,” and no doubt the first
member of the family had that peculiar formation of the foot; but this
family was a branch of the great Gens Æmilia, one member of that family
built the Basilica Æmilia in the Forum Romanum, and another was one of
the second Triumvirate. The Scaurus who built this great amphitheatre
was a man of enormous wealth, and a great builder; he is mentioned by
several of his contemporaries, of whom one was Cicero; he was an ædile,
and was noted for his great liberality in his ædileship. His father was
an orator, and was consul in the year of Rome 688 (B.C. 35); his mother,
when a widow, married Sylla the dictator. Pliny mentions him several
times in his Natural History[237]; he calls his buildings _insane_
works, on account of the enormous sum expended upon them, which must
have exceeded the equivalent of two millions sterling of our money. The
temporary amphitheatre which he built would hold 80,000 persons, it was
three storeys high, and had 360 marble columns in it; these were on the
ground-floor, and it is mentioned that those on the first floor were of
glass[238], a luxury before unheard of (and apparently not repeated),
on the upper storey they were of gilt wood. Pliny thus describes this
building of Scaurus:—
“Mosaic pavements were first introduced in the time of Sylla;
at all events, there is still in existence a pavement[239],
formed of small segments, which he ordered to be laid down
in the Temple of Fortune, at Præneste. Since his time, these
mosaics have left the ground for the arched roofs of houses,
and they are now made of glass. This, however, is but a recent
invention; for there can be no doubt that, when Agrippa
ordered the earthenware walls of the hot baths, in the thermæ
which he was building at Rome, to be painted in encaustic,
and had the other parts coated with pargetting, he would have
had the arches decorated with mosaic in glass, if the use of
them had been known; or, at all events, if from the walls of
the theatre of Scaurus, where it figured, as already stated,
glass had by that time come to be used for the arched roofs of
apartments. It will be as well, therefore, to give some account
also of glass[240].”
Public-domain text, read in full here on John Shaqi.
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