The Greek term δέλτος, which was borrowed from the language of Canaan,
is evidence that the tablet was once known to the Greeks. For the
letters of the Phœnician and Greek alphabet rolls of papyrus or
leather were needed; the fact that the writing material was a tablet
and not a roll refers us back to Babylonia. With the introduction
of the Phœnician letters the word δέλτος necessarily changed its
meaning, and became synonymous with a wooden board. But it is possible
that a reminiscence of its original signification is preserved in a
famous passage of the _Iliad_ (vi. 169), where the later “board”
has been substituted for the earlier “tablet.” Here we are told how
Bellerophon carried with him to Lycia “baleful signs”--which may have
been the pictographs of Krete or the Hittites, or even cuneiform
characters--written upon “a folded board.” The expression would have
most naturally originated in the folded clay tablet of early Babylonia,
the inner tablet being enclosed in an envelope on which the address or
a description of the contents of the document is written.
On the literary side, however, this is the utmost contribution that
we can claim for Babylonia to have made to historical Greece. In the
sphere of religion it is possible that the anthropomorphism of Greece
was influenced by the anthropomorphism of Babylonia through Asia
Minor, where the rock sculptures of Boghaz Keui show how the primitive
Hittite fetishes had become human deities like those of Chaldæa; in
the sphere of philosophy Thales and Anaximander clothed in a Greek
dress the cosmological theories of the Babylonians; and in the domain
of art the heraldry and composite monsters of Babylonia made their
way to Europe, while the Ionic artists of Ephesus carved ivories into
forms so Oriental in character that similar figures found in the palace
of Sargon have been pronounced to be the work of Phœnicians. But the
literary culture of historical Greece did not begin until the tide of
Babylonian influence had already rolled back from Western Asia, when
the Phœnician alphabet had taken the place of the cuneiform syllabary
in Syria, and the Hittite populations of Asia Minor had returned to
their clumsy hieroglyphs.
It is, however, remarkable how very nearly the cuneiform script became
what the Phœnician alphabet has been called, “the mother of the
alphabets of the world.” At one time it covered nearly the whole area
of the civilized globe. A seal-cylinder with a cuneiform inscription in
an unknown language has been discovered on the hills near Herat;[154]
in the west its use extended as far as Cappadocia, perhaps further.
Northward it made its home in Armenia; southward it obliged even the
Egyptian Foreign Office to employ it for correspondence, while military
scribes wrote in it their memoranda of the Pharaoh’s campaigns. In
both Mitanni and Van the syllabary was on the high-road to becoming an
alphabet; in Persia it actually became one.
Public-domain text, read in full here on John Shaqi.
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