[395] Teit, (b), Fig. 92. [396] Teit, (a), Figs. 118 and 210. The pipe shown in Fig. 104 was secured from an Indian who is known to have frequently visited the Okanogan area so that if he did not bring the pipe from there, he may at least have gotten the idea for this style of decoration there. This suggests an explanation for the occurrence of the circle and dot design on what are apparently older specimens from the Yakima country. On the lower end of this specimen is a design made up of a zigzag line based upon an incision running around where the stem meets the bowl. The five triangles thus formed are nearly equilateral and there is a circle and dot design in each. Other circles and dots are arranged in seven equi-distant longitudinal pairs about the middle of the bowl. In addition, parallel to these, and between two of the pairs, there is a double-headed figure each end of which resembles the form of a crude fleur-de-lis. All of the incisions on this pipe are colored with red paint. The circle and dot design may be seen on the limestone pipe shown in Fig. 106. There is one circle and dot on the tip of the base, encircling this is a row of eight of them and outside of this still another circle of nine. Around the opening for the stem is a circle made up of eight, around the mouth of the bowl are ten and between the circle around the bowl and the one around the stem are three of the circles and dots. A typical circle and dot decoration is shown in Fig. 120 of what, as stated on p. 65, may possibly have been used as a whetstone. The object is made of slate and the top is broken off. It is 142 mm. long, 18 mm. wide and 6 mm. thick. The lower end and side edges are rounded. On the reverse, the design is similar except that it is continued upward by three circles and dots arranged in the same order as the uppermost three on the obverse and that there are several slightly incised marks on it, one of which, of X form, makes a tangent and a cord with the next to the lower circle and dot. All the circles and dots are filled with red paint. There are twelve incisions, possibly tally marks, on one side edge near the point. The original is in the collection of Mr. Janeck.[397] [397] Museum negative no. 44503, 6-4. The symmetrical arrangement of the perforations and the pits on both sides of the object shown in Fig. 77 was no doubt due to artistic motives.