The Architecture of Colonial AmericaEberlein, Harold Donaldson
History
The Architecture of Colonial America
Eberlein, Harold Donaldson
Architecture -- United States; Architecture, Colonial
“October ye 26th, 1747. Whereas a Difference hath arisen between
Francis Wayne and his Brother Isaac Wayne [the father of General
Anthony Wayne] about their Right in the pugh Late Anthony Wayne and
John Hunter, and it appearing to the Vestry that ye sd. Francis and
Isaac have purchased the Ground of a Pugh and the sd. Isaac having
Built upon a part of the Ground the Vestry Do agree that the sd.
Francis have the ground for half a pugh joining of the west side to
Richard Hughes and Wm. Owen’s Pugh.”
So late as 1763 the “Vestry granted to Robert Jones the privilege to
build a Pew on a piece of ground in St. David’s Church, adjoining
Wayne’s and Hunter’s pew, he paying for the ground £4 10_s._” In King’s
chapel in Boston the vestry “stipulated that each member should pay the
cost of building his own pew; this was accordingly done, but without any
uniformity, so that the interior of the old church must have presented
an amusing diversity of work.... The walls were decorated with banners,
escutcheons, and coats of arms of the King of England, of the nobility
and gentry of the congregation, and of the Governour of the province,
and the interior was considered so magnificent and so luxurious as to be
a blot upon the religion of Massachusetts.”
As might be expected, when so much was made of assigning each member of
the congregation a seat befitting his dignity, the question of suitable
clothing loomed large in the minds of our forebears and from one end of
the Colonies to the other they gave way to the temptation to appear
before their neighbours in their best frills and furbelows so that the
church service on Sunday was often a clothes show as well. To such an
extent was this passion for display carried that it led to a custom in
some country parishes of New England to which Alice Morse Earle refers.
She says:--
Public-domain text, read in full here on John Shaqi.
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