The galleries within are supported on Tuscan pillars and the other woodwork, while of excellent proportions, is exceedingly simple and dignified. It is of interest to note that the pulpit is accessible only by climbing up through the tower; the clerks’ seats are immediately beneath it. The organ gallery is built above the chancel which is at the east end of the church while the pulpit and the clerks’ desk are at the west end so that frequent processions of the clergy during the course of the service are sometimes necessary. In the same class with Christ Church and St. Peter’s must be mentioned St. Michael’s Church, Charleston, S.C., and St. Paul’s Chapel, New York City. St. Michael’s was built in 1742 from plans, it is believed, furnished by James Gibbs, the famous English architect, while St. Paul’s is of native American design. Both churches show the strong influence of Wren feeling which persisted in the ecclesiastical architecture of the Georgian era. While speaking of ecclesiastical architecture of the Middle Colonies we must not omit to mention the Quaker meeting houses which were ordinarily of brick or stone and sometimes covered with a coating of roughcast. They are rectangular in form with pitch roofs and usually display two rows of square windows. The cornices are simple and severe and all the woodwork is extremely plain. As a rule there are four doors, two on each of the longer sides. The woodwork within is not infrequently devoid of paint and has acquired a wonderfully rich colour from age. In many of the meeting houses there are galleries although the gallery is by no means a universal feature. The smaller and older meeting houses are generally of one storey in height but those of later date are frequently of two storeys and in that case ordinarily have galleries. All the details of woodwork are so exceedingly simple that one can scarcely say they show a marked affinity with Georgian models although they belong, for the most part, to the Georgian period. Nor must we forget the meeting houses erected to accommodate the various German sects. These buildings generally displayed architectural affinities of Teutonic character. As an example of this we might mention the old Trappe Meeting House on the Perkiomen, or some of the Moravian churches and Reformed churches in the interior of Pennsylvania. It will be unnecessary to make any further mention of the Georgian churches of New York as they are, in the main, similar to those that have been mentioned in an earlier part of this chapter. Some note, however, should be made of the little Dutch churches one occasionally finds such as that at Tarrytown-on-the-Hudson. Here we see the same persistence of Dutch ecclesiastical traditions as was noted in Pennsylvania in the case of German traditions exemplified in the structures like the Trappe Meeting House. The general form of the building and the method of its execution might readily be paralleled in Holland.