of the 1754 addition were fetched from England in Colonel Coultas’s ships. The pilasters and cornices in the hall are exceptionally fine. Rosettes are carved in the dog ears of the door trims and the cheeks and soffits of the jambs are set with bevel-flush panels. In the parlour the carving of the overmantel and the panelling are unsurpassed for either execution or design. The central panel above the fireplace is three feet high and nearly six feet wide, and not a joint can be discovered in it. Below it is a band of exquisitely wrought floriated carving in high relief. Although it is possible to find more elaborate woodwork, it is rarely that one meets with a degree of elaboration tempered with such dignified restraint and consummate good taste.” Another house of the second Georgian type is Mount Pleasant, or Clunie, as it was at first called, in Fairmount Park, built in 1761 by Captain John Macpherson, and in later years the home of Benedict Arnold. Mount Pleasant is a structure of almost baronial aspect, with east and west fronts alike of imposing mien. An high foundation of carefully squared stones is pierced by iron barred basement windows set in stone frames. Above this massive, grisly base, the thick stone walls are coated with yellow-grey roughcast. Heavy quoins of brick at the corners and, at the north and south ends of the building, great quadruple chimneys joined into one at the top by arches, create an air of more than usual solidity. A broad flight of stone steps, their iron balustrades overgrown with a bushy mass of honeysuckle, leads up to a doorway of generous breadth. The pillars at each side of the door and the superimposed pediment, the ornate Palladian window immediately above on the second floor and, above that again, the cornice pediment springing from the eaves, all contribute to set a stamp of courtly distinction upon the pile. Above the second floor the hipped roof springs, pierced east and west by two graceful dormers and crowned by a well turned balustrade that traverses nearly the whole distance between the chimneys. The fan light over the door has remarkably heavy, fluted mullions and much of the detail throughout the house, though highly wrought, is heavy. The two flanking outbuildings, set 30 or 40 feet distant from the northeast and southeast corners of the house, designed for servants’ quarters and domestic offices, give Mount Pleasant a peculiarly striking appearance. Without them it would be only an unusually handsome Georgian country house, with them it at once takes on the manorial port of one of the old Virginia mansions. The interior woodwork, both upstairs and down, is rich in elaboration of detail, and the door frames, with their heavily moulded pediments, are exceptionally fine.