The Architecture of Colonial AmericaEberlein, Harold Donaldson
History
The Architecture of Colonial America
Eberlein, Harold Donaldson
Architecture -- United States; Architecture, Colonial
In considering the variations between the Georgian types of the
Philadelphia neighbourhood it must be borne in mind that they ought not
to be judged too straitly by contemporary work in England. Such
comparison would only be misleading and unfair for several reasons. In
the first place, at the beginning of the Georgian period, local
conditions forbade the lavish display of carved ornamentation that
marked so many houses of the same date in England. At that time there
were few craftsmen in the Colonies capable of executing the elaborate
carving in vogue on the other side of the Atlantic. The builders of
mansions, therefore, must perforce content themselves by a close
adherence to line and proportion and do without the highly wrought
carved embellishment. Then, too, besides this difficulty, many of the
builders of these early houses belonged to the Society of Friends, most
of whom from their religious principles were averse to a wealth of
ornament. In the second place, judging by contemporary English standards
would be misleading because at the time the second Philadelphia
Georgian type began to flourish, and the means and inclination for
elaborate ornament were both present, Colonial conservatism had become
an important factor in the dictation of style, and however closely
Philadelphians might copy the current modes of London in matters of
dress, in their manners and architecture they chose to cling to well
established precedent and had always remained thenceforward from twenty
to thirty years back of their British cousins in the method of their
architectural expression. Hence, for instance, the overmantels reaching
to the ceiling built as late as 1765. In all its phases, however,
Philadelphia Georgian, whatever minor differences there might have been,
was true to the traditions of the great English architects, and because
of its purity of style is worthy of close study today for the vital
inspiration it can supply.
CHAPTER IX
THE GEORGIAN ARCHITECTURE OF THE SOUTH
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